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Paiste has developed several innovations to cymbal design and manufacture. Among these are: A Paiste Alpha China cymbal Discontinued 1989 Paiste 3000 22" Power Ride. The Flat Ride: A ride cymbal without a cup or bell. Originally designated as Space Sound in the Formula 602 line. Designed with Joe Morello. Introduced in the 1960s.
Thompson has endorsed Ludwig Drums (1970–March, 1977), Pearl Drums (April, 1977 – July, 1987), Sonor Drums (1990–1999) and Paiste cymbals (1970–1990); he has endorsed DW Drums since 2000 and Sabian Cymbals since 1990. He uses Remo drumheads, Meinl Percussion, Gibraltar racks and has his own Regal Tip Chester Thompson signature drumstick.
A flat ride cymbal or flat top ride [1] (or often just flat ride) is a ride cymbal without a bell, originally developed by Paiste in collaboration with jazz drummer Joe Morello as part of their Formula 602 series in 1967. The most common size is 20" followed by 18", but larger examples exist: Paiste Formula 602 flatride
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A stamp from a 1950s-era Bellotti Cymbal. Bellotti was a small Italian cymbal workshop that produced cymbals from the 1950s until the 1970s. [2]Because so few of these vintage cymbals exist on the market today (they are much less prevalent that some other vintage Italian contemporaries, such as Zanchi), Bellotti remains one of the more obscure names in cymbal manufacturers.
In 1974 Meinl was the first cymbal company to offer pre-pack cymbal sets. [2] Meinl's initial cymbal production focused on low-budget cymbals, and it wasn't until 1984 with the "Profile Series" that Meinl started to really focus on professional-level cymbals. [3] The first Meinl pro series was the "King-Beat Series", introduced in 1976. [2]
Paiste is the only company out of the “big four” (Paiste, Zildjian, Sabian and Meinl) that uses manual hammering to shape the curve or “bow” of the cymbal (Meinl used a computer controlled hammering machine to shape one line of their cymbals): Zildjian and Sabian use a 75 ton press to and STAMP their cymbals into shape. With the ...
Widely used in the jazz music of the 1920s and 30s, this traditional splash cymbal was not seen for many years in mainstream music for years until drummers such as Ringo Starr started to use them. Stewart Copeland playing in The Police brought it back to prominence.
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