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Principal forms of Anton Webern's tone row from Variations for piano, op. 27, movement 2. [1] [2] Play ⓘ In music, a permutation (order) of a set is any ordering of the elements of that set. [3] A specific arrangement of a set of discrete entities, or parameters, such as pitch, dynamics, or timbre.
A single eighth note, or any faster note, is always stemmed with flags, while two or more are typically beamed in groups. [1] In modern practice, beams may span across rests in order to make rhythmic groups clearer. In vocal music, beams were traditionally used only to connect notes sung to the same syllable. [2]
Variations is a series of works by the American composer John Cage. A number of the pieces in the series are seminal examples of indeterminate music , others are happenings : performance pieces executed according to the score .
Alban Berg (Act 1, Scene 4 and the beginning of Act 3 scene 1 of Wozzeck, Act 3 interlude in Lulu) Olivier Messiaen (Thème et variations for violin and piano, 1932), Miklós Rózsa, Theme, Variations, and Finale (1933), George Gershwin (Variations on "I Got Rhythm" for piano and orchestra, 1934),
In music, notes are distinct and isolatable sounds that act as the most basic building blocks for nearly all of music. This discretization facilitates performance, comprehension, and analysis. [1] Notes may be visually communicated by writing them in musical notation.
A triple-dotted note is a note with three dots written after it; its duration is 1 + 7 ⁄ 8 times its basic note value. Use of a triple-dotted note value is not common in the Baroque and Classical periods, but quite common in the music of Richard Wagner and Anton Bruckner, especially in their brass parts. [citation needed]
Variation II, Allegro non troppo - Starting with a sudden chord, the theme is heard in the lower strings. Variation III, Andantino tranquillo - Now in E major, the theme is taken up by the first violins. Variation IV, Vivace - This is a lively movement dominated by the offbeat pizzicato; Variation V, Andante; Variation VI, Allegro con spirito
The 13 Variations on a theme by Anselm Hüttenbrenner, D. 576, is a set of variations for the piano in A minor composed by Franz Schubert in 1817. The theme was composed by Anselm Hüttenbrenner for his first string quartet op. 3 in 1816, to whom it is also dedicated. [1]