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The theme "not to the loner but to the individualist", in Paul Williams' words, is most evident throughout the song; "That's who Neil Young is [an individualist]", Williams adds. [5] Richie Furay first heard "Nowadays Clancy Can't Even Sing" late in 1965 while Young was visiting his apartment in New York City.
"Forever More" is a song by American singer Puff Johnson, released on April 30, 1996, as the first single from her only studio album, Miracle (1996). The ballad [ 1 ] was written by Johnson along with Sally Jo Dakota and Narada Michael Walden , while production was helmed by the latter, with Louis Biancaniello credited as associate producer.
As indicated by their having been emboldened in the table, a handful of intervals—thirds (minor and major), perfect fifths, and minor sevenths—are used in the following discussion of fundamental guitar-chords. As already stated, the perfect-fifths (P5) interval is the most harmonious, after the unison and octave intervals.
In music theory, chord substitution is the technique of using a chord in place of another in a progression of chords, or a chord progression. Much of the European classical repertoire and the vast majority of blues, jazz and rock music songs are based on chord progressions. "A chord substitution occurs when a chord is replaced by another that ...
"Live Forever" is in the key of G major (varispeeded up by less than half a semitone during mixing) and is based on a G–D–Am–C–D chord progression, with the G chord becoming an Em during the pre-chorus, though the key changes to A minor following the last chorus. The vocal melody only consists of a few notes.
An arpeggio for the chord of C major going up two octaves would be the notes (C, E, G, C, E, G, C). In musical notation, a very rapid arpeggiated chord may be written with a wavy vertical line in front of the chord. Typically these are read as to be played from the lowest to highest note, though composers may specify a high to low sequence by ...
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"What's Forever For" is a song written by Rafe Van Hoy and first recorded by England Dan & John Ford Coley on their 1979 album Dr. Heckle and Mr. Jive. The song saw its biggest success when it was recorded by American country music artist Michael Martin Murphey. It was released in June 1982 as the second single from his album, Michael Martin ...