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Slanted and Enchanted is the debut studio album by American indie rock band Pavement, released on April 20, 1992 by Matador Records. It is the only Pavement album to feature drummer Gary Young . The album received critical acclaim and is seen as a landmark for indie rock, with Rolling Stone ranking it 199th on its 2020 edition of The 500 ...
Rose Colored Glasses is the debut studio album by American country music artist John Conlee. It was released in 1978 on ABC Records , and was his only disc for the label; he would move to MCA Records the next year.
"Rose Colored Glasses" is a song by American recording artist Kelly Rowland, recorded for her third studio album, Here I Am (2011). It was written by Ester Dean and Lukasz "Dr. Luke" Gottwald, with lyrics reflecting the different perspectives on relationships and how one can perceive a relationship different from the outside.
"Long Tall Glasses (I Can Dance)" is a 1974 song by Leo Sayer, co-written with David Courtney. It was released in the United Kingdom in late 1974, becoming Sayer's third hit record on both the British and Irish singles charts and reaching number four in both nations. [ 2 ]
"Schräge Musik" was previously a German colloquialism, meaning music that featured an unusual tuning and/or time signature (e.g., jazz). The standard usage of the adjective schräg is often translated as "slanting" or "oblique", but its slang usage is often translated as "weird" or "strange".
The whole track was leaked onto the web as was apparent on several YouTube videos, which were revoked by the Universal Music Group. On April 27, 2007, a 34-second clip of the video for "Heart-Shaped Glasses (When the Heart Guides the Hand)" was released on YouTube, featuring Manson and girlfriend Evan Rachel Wood kissing while drenched in blood.
"Sun Glasses" is a song originally released by Skeeter Davis in 1965, which was written by John D. Loudermilk. [1] In 1984 Tracey Ullman released a version of the song titled " Sunglasses ", which became an international hit.
The song received positive reviews from music critics, calling it a great follow-up of their previous collaboration, and noting it as a highlight of the album. Brent Faulkner of PopMatters praised the song as "one of Motion ' s crème de la crème records" and wrote that it "latches from a first listen giving the set arguably its strongest pop ...