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Lou Donaldson playing a Selmer Mk VI alto Selmer Mark VI tenor saxophone Concert model with high F#, right hand G#, D to E flat trill and C to D trill using the palm key E flat. The Selmer Mark VI is a saxophone produced from 1954 to 1981. Production shifted to the Mark VII for the tenor and alto in the mid-1970s (see discussion of serial ...
Further ergonomic improvements were offered with the Mark VI introduced in 1953, which became the most widely used professional class saxophone produced in the mid twentieth century. King was the first manufacturer other than Selmer to adopt table key mechanisms derived from those of the Balanced Action, in 1949. By the late 1960s, the new ...
Henri Selmer Paris is a French enterprise, manufacturer of musical instruments based at Mantes-la-Ville near Paris.Founded in 1885, it is known as a producer of professional-grade woodwind and brass instruments, especially saxophones, clarinets and trumpets.
According to an April 1988 interview in the jazz magazine DownBeat, he had a preference for Selmer Mark VI alto saxophones in the 140,000-150,000 serial number range, all produced in 1967. From the late 1970s, Sanborn played with mouthpieces created by Bobby Dukoff .
In terms of concert pitches, the alto saxophone's range is from concert D ♭ 3 (the D ♭ below middle C—see Scientific pitch notation) to concert A ♭ 5 (or A 5 on altos with a high F ♯ key). A few rare alto saxophones, like some Selmer Mark VI models, have been keyed to reach a low A, a semitone lower, similar to baritone saxophones. [2 ...
Conn-Selmer, Inc. is an American manufacturer of musical instruments for concert bands, marching bands and orchestras.It is a wholly owned subsidiary of Steinway Musical Instruments and was formed in 2003 by combining the Steinway properties, The Selmer Company and United Musical Instruments.
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During the 1920s Buescher also made small numbers of tipped-bell soprano, straight alto, and straight tenor saxophones. Buescher stayed true to Adolphe Sax's concept for saxophone sound into the early 1930s, gaining the favor of classical saxophonist Sigurd Rascher and those influenced by him. Buescher adapted its sound concept to the bigger ...