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The Moody Blues scored three top-ten singles on the Billboard Hot 100, with "Nights in White Satin" reaching number 2 in Billboard and number 1 in Cashbox. On the UK singles chart , the group also had three top-ten hits, with " Go Now " reaching number 1.
The Moody Bluegrass project is a group of Nashville artists who have recorded two tribute albums of Moody Blues songs in the bluegrass style. The first album, Moody Bluegrass – A Nashville Tribute to the Moody Blues , was released in 2004.
The Moody Blues performing in 2013. The Moody Blues were an English progressive rock band from Birmingham.Formed in May 1964, the group originally consisted of guitarist and vocalist Denny Laine, keyboardist and vocalist Mike Pinder, woodwind player and vocalist Ray Thomas, bassist Clint Warwick, and drummer Graeme Edge.
A Night at Red Rocks with the Colorado Symphony Orchestra is a live album by The Moody Blues, recorded from a live performance at the Red Rocks Amphitheatre on 9 September 1992. [2] This performance was the first time The Moody Blues performed in concert backed by a full orchestra .
The Other Side of Life is the twelfth studio album by English progressive rock band the Moody Blues, released in April 1986 by Polydor Records.. This was the first Moody Blues album since 1978's Octave, and only the second since 1969's On the Threshold of a Dream, not to be released by the Moodies' custom label, Threshold Records.
All tracks performed by The Moody Blues. Tracks 1, 3–4, 9, 11, 13 and 15 written by Justin Hayward, tracks 2, 10 and 18–20 by Mike Pinder, track 5 by Hayward, Graeme Edge and Peter Knight, track 6 by Edge and John Lodge, tracks 7 and 14 by Ray Thomas, track 8 by Lodge, tracks 12 and 17 by Edge and track 16 by Hayward and Thomas
Strange Times is the fifteenth and penultimate studio album by the rock band the Moody Blues, released in 1999.The sound features mostly acoustic guitar, slightly processed electric guitar, light organ, flute, and string arrangements, with heavy synthesizer use in the fast-paced opening track, "English Sunset".
Hayward reflects on this songwriting process at the time: "A song is a song. There are specific Moody Blues songs that start in that quiet way. I've had so many small parts of songs that I've just enjoyed playing, and it takes me a while to realize: 'This is a song. If I just work at it a bit more, I've got a whole song here.'
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