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There was a movement in the eighteenth century to standardize English writing and speaking and elocution was a part of this movement, with the help of Sheridan and Walker. [3] Another area of rhetoric, elocutio , was unrelated to elocution and, instead, concerned the style of writing proper to discourse.)
Beginning in 1894/6, the prohibition elocution movement in Canada was operated under the management of the national body of the Royal Templars. The Order did not confine the contests to its own societies, but supplied the literature and medals freely to all friendly organizations. [3]
In the eighteenth century, a classical revival of the art of public speaking, often referred to as The Elocution Movement occurred in Britain. While elocution focused on the voice—articulation, diction, and pronunciation—declamation focused on delivery. Rather than a narrow focus on rhetoric, or persuasion, practitioners involved in the ...
Thomas Sheridan (1719 – 14 August 1788) was an Irish stage actor, an educator, and a major proponent of the elocution movement. He received his M.A. in 1743 from Trinity College in Dublin, and was the godson of Jonathan Swift. He also published a "respelled" dictionary of the English language (1780). He was married (1747) to Frances Chamberlaine.
His writings on the improvement of speech, looking into how tone, pronunciation, emphasis, and using emotion on one's voice predated the common school of suprasegmental phonetic by around fifty years, and Rush is commonly considered the most important figure towards studying the nineteenth century elocution movement.
The early interest in rhetorical studies was a movement away from elocution as taught in English departments in the United States, and an attempt to refocus rhetorical studies from delivery-only to civic engagement and a "rich complexity" of the nature of rhetoric. [101]
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Despite their use of the term elocution for the art Austin calls delivery, Austin refers to Thomas Sheridan's Lectures on Elocution (1762) and John Walker's Elements of Elocution (1781) in his discussion of voice and countenance.