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J.I. Biegeleisen and Max Arthur Cohn (a co-founder of the Society noted above), writing in 1942 about the origin and development of serigraphy, observed: "Specially noteworthy has been the work of the National Serigraph Society, New York, which has been the source of inspiration, clearing house, and temple of artists and print makers everywhere.
Intaglio (/ ɪ n ˈ t æ l i. oʊ,-ˈ t ɑː l i-/ in-TAL-ee-oh, - TAH-lee-; [1] Italian: [inˈtaʎʎo]) is the family of printing and printmaking techniques in which the image is incised into a surface and the incised line or sunken area holds the ink. [2]
Reduction printing is a name used to describe the process of using one block to print several layers of color on one print. Both woodcuts and linocuts can employ reduction printing. This usually involves cutting a small amount of the block away, and then printing the block many times over on different sheets before washing the block, cutting ...
Although the name "hecto-graph" implies production of 100 copies, in reality the gelatin process produced print runs of somewhere between 20 and 80 copies, depending upon the skill of the user and the quality of the original. At least eight different colors of hectographic ink were available at one time, but purple was the most popular because ...
Drypoint wiping techniques vary slightly from other intaglio techniques. Less pressure is applied to achieve desirable lines, because the burrs forming the image are more fragile than etched or engraved lines, but also because the ink rests on the plate surface, instead of pressed down into indentations.
Using a handheld gouger to cut a design into linoleum for a linocut print Linocut printing; using a design cut into linoleum to make a print on paper. Since the material being carved has no directional grain and does not tend to split, it is easier to obtain certain artistic effects with lino than with most woods, although the resultant prints lack the often angular grainy character of ...
Zuccato's system involved writing on a sheet of varnished paper with caustic ink, which ate through the varnish and paper fibers, leaving holes where the writing had been. This sheet – which had now become a stencil – was placed on a blank sheet of paper, and ink rolled over it so that the ink oozed through the holes, creating a duplicate ...
Stipple engraving is a technique used to create tone in an intaglio print by distributing a pattern of dots of various sizes and densities across the image. The pattern is created on the printing plate either in engraving by gouging out the dots with a burin , or through an etching process. [ 1 ]
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