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Jesus has cut his hand on an exposed nail, symbolizing the stigmata and foreshadowing Jesus's crucifixion. Some of the blood has fallen onto his foot. As Jesus's grandmother, Anne, removes the nail with a pair of pincers, his concerned mother, Mary, offers her cheek for a kiss. Joseph examines Jesus's wounded hand.
Child Jesus Salvator Mundi (17th century), Portugal. Salvator Mundi, Latin for Saviour of the World, is a subject in iconography depicting Christ with his right hand raised in blessing and his left hand holding an orb (frequently surmounted by a cross), known as a globus cruciger.
Salus Populi Romani (English: Salvific Health of the Roman People) is a Roman Catholic title associated with the venerated image of the Blessed Virgin Mary in Rome.This Byzantine icon of the Madonna and Child Jesus holding a Gospel book on a gold ground, now heavily overpainted, is kept in the Borghese (Pauline) Chapel of the Basilica of Saint Mary Major.
The sheet shows various studies of Madonna and Baby playing with the cat, while at the very bottom we see two infants kissing and embracing each other. The sketch is quite different from the version presented at numerous compositions, while the baby on the right is shown in a very same pose as Jesus in Virgin of the Rocks .
[n 1] It depicts Saint Anne, her daughter the Virgin Mary and the infant Jesus. [1] Christ is shown grappling with a sacrificial lamb symbolizing his Passion as the Virgin tries to restrain him. The painting was commissioned as the high altarpiece for the Church of Santissima Annunziata in Florence and its theme had long preoccupied Leonardo.
The Infant Jesus of Mechelen (French: l'Enfant Jésus de Malines) is an unadorned 16th-century wooden image depicting the Child Jesus holding a globus cruciger and imparting a blessing. It is now in the Louvre Museum in Paris , as a typical representative of a type of image produced in considerable numbers in 16th-century Mechelen (Malines ...
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Incised sarcophagus slab with the Adoration of the Magi from the Catacombs of Rome, 3rd century.Plaster cast with added colour. Except for Jesus wearing tzitzit—the tassels on a tallit—in Matthew 14:36 [9] and Luke 8:43–44, [10] there is no physical description of Jesus contained in any of the canonical Gospels.
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