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The English translation by Swami Prabhavananda and Christopher Isherwood is used by English-speaking Vedanta Centers in the evening vesper worship services: Breaker of this world's chain, We adore Thee, whom all men love. Spotless, taking man's form, O Purifier, Thou art above the gunas three, Knowledge divine, not flesh; Thou whom the cosmos ...
The Six Kalmas (Urdu: چھ کلمے chh kalme, Arabic: ٱلكَلِمَات ٱلسِتّ al-kalimāt as-sitt, also spelled qalmah), also known as the Six Traditions or the Six Phrases, are six Islamic phrases often recited by Pakistani Muslims. [1]
Kalima (from Arabic: كلمة, kalimah, "word") may refer to: The Six Kalimas, texts to memorize to learn the fundamentals of Islam; Kalima (band), a Manchester jazz-funk band on Factory Records Kalima!, the second album by Kalima; Kalima, a Moroccan magazine "Kalima", a track by Elvin Jones on his 1978 album Remembrance
Kālidāsa (Sanskrit: कालिदास, "Servant of Kali"; 4th–5th century CE) was a Classical Sanskrit author who is often considered ancient India's greatest poet and playwright. [1] [2] His plays and poetry are primarily based on Hindu Puranas and philosophy. His surviving works consist of three plays, two epic poems and two shorter ...
In this Upanishad, Narada is instructed by Brahma (in the translation of K. N. Aiyar): Hearken to that which all Shrutis (the Vedas) keep secret and hidden, through which one may cross the Saṃsāra (mundane existence) of Kali. He shakes off (the evil effects of) Kali through the mere uttering of the name of Lord Narayana, who is the primeval ...
The poem glorifies the goddess Kali, whom Hindus associate with empowerment. In this poem, Vivekananda is worshiping the terrible form of the goddess (Kali is portrayed mostly in two forms: the popular four-armed form and the ten-armed Mahakali form, the "terrible" form). In the poem, he shows how the whole universe is a stage for the goddess's ...
The text starts off with the legends of Devi trying to bring Shiva back from ascetic life into that of a householder's by making him fall in love again. [1] According to Ludo Rocher, Markandeya describes how Brahma, Shiva and Vishnu are "one and the same" and that all goddesses (Sati, Parvati, Menaka, Kali and others) are manifestation of the same feminine energy.
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