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With the independence of Ceylon from Great Britain and a widespread appreciation of Sinhala culture, Ediriweera Sarachchandra led the movement for serious Sinhala theatre. Sarachchandra's work, which brought together elements of the early folk ritual and dance drama tradition with Western theatre methods and stage style, created a new genre of ...
Gunasena Galappatty (born June 7, 1927, in Dikwella in Matara, Sri Lanka) was a Sri Lankan dramatist, director, producer, and Sinhala radio play writer regarded as the pioneer of suspense drama in Sri Lanka. [1]
He started drama career with Gamini Haththotuwegama in 1970s in Sri Lanka's first street drama troupe. [6] He worked as the street drama organizer in Haththotuwegama's street drama troop. On December 31, 1976. he produced his first stage play Sekkuwa which was played at Lumbini Theater. The play won several awards at the State Drama Festival in ...
(neta) The third chapter discusses the ten types of drama. The fourth chapter discusses Rasa in detail. However the author also states that since Rasa is a heavy subject - he will only present concise descriptions The most famous commentary on the work, known as Avaloka, was written by Dhanika, a younger brother of the author. [3] [page needed].
Sarachchandra started his career as a teacher at St. Peter's College in Colombo 4.He then joined the publishing company Lake House in an administrative position. 1933, gained admission to the Ceylon University College and offered Pali, Sanskrit and Sinhala for the first degree and passed out in 1936 with a first class and sat for the Ceylon Civil Service examination (because of his parents ...
Dramaturgy is the study of dramatic composition and the representation of the main elements of drama on the stage. The term first appears in the eponymous work Hamburg Dramaturgy (1767–69) by Gotthold Ephraim Lessing .
Drama encompasses different media and languages, ranging from Greek tragedy and musical drama to action movies and video games: despite their huge differences, these examples share traits of the cultural construct that we recognise as drama. drama can be considered as a form of intangible cultural heritage, since it is characterised by an evolving nature, with form and function that change in ...
A description of precursors of Bharatanatyam from the Natya Shastra dated around (500 BCE) [6] [7] and in the ancient Tamil epic Silappatikaram dated around (171 CE), [8] [9] while temple sculptures of the 6th to 9th century CE suggest dance was a refined performance art by the mid-1st millennium CE.