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In Japanese mythology, the Yatagarasu is said to have guided Emperor Jimmu to Kashihara in Yamato, and is believed to be a god of guidance. He is also believed to be an incarnation of the sun . In the Kojiki , he was sent by Takamimusubi , and in the Nihon Shoki , he was sent by Amaterasu .
Sarutahiko has the distinction of being one of only seven kami to be honored with the title Ōkami (Japanese: 大神) or "Great Kami"; the other six are Izanagi, Izanami, Michikaeshi (also known as Yomido ni sayarimasu ōkami (?) who is the kami of the great rock used by Izanagi to obstruct the way to Yomi, and thus, preventing emergence of evil spirits from the Underworld), Sashikuni ...
Konohanasakuya-hime is the goddess of Mount Fuji and all volcanoes in Japanese mythology; she is also the blossom-princess and symbol of delicate earthly life. [1] [2] She is often considered an avatar of Japanese life, especially since her symbol is the sakura (cherry blossom).
The explanation is that in Japanese, まめ, マメ (mame) can also be written as 魔目 (mame), meaning the devil's eye, or 魔滅 (mametsu), meaning to destroy the devil. During the Edo period (1603–1867), the custom spread to Shinto shrines , Buddhist temples and the general public.
Kuebiko (久延毘古), the god of knowledge and agriculture, represented in Japanese mythology as a scarecrow who cannot walk but has comprehensive awareness. Kukunochi, believed to be the ancestor of trees. [22] Kukurihime no Kami (菊理媛神), a goddess enshrined at Shirayama Hime Shrine.
Ōkuninushi is closely associated with the province of Izumo (modern Shimane Prefecture) in western Japan; indeed, the myth of his surrender to the gods of heaven may reflect the subjugation and absorption of this area by the Yamato court based in what is now Nara Prefecture.
Ame-no-Uzume-no-Mikoto (Japanese: 天宇受売命, 天鈿女命) is the goddess of dawn, mirth, meditation, revelry and the arts in the Shinto religion of Japan, and the wife of fellow-god Sarutahiko Ōkami. (-no-Mikoto is a common honorific appended to the names of Japanese gods; it may be understood as similar to the English honorific 'the ...
Onryō are used as subjects in various traditional Japanese performing arts such as Noh, Kabuki, and Rakugo; for example, hannya is a Noh mask representing a female onryō. [5] The Japanese people's reverence for onryō has been passed down to the present day.