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[11] [17] Though the interpretation of the bracelet as a gift to a slave has often been seen as evidence of affection between masters and slaves, Jennifer Baird has criticised this view as downplaying the violence and exploitation of ancient slavery. [18] If the owner of the bracelet was a freedwoman, the bracelet may have been given on the ...
Native American jewelry refers to items of personal adornment, whether for personal use, sale or as art; examples of which include necklaces, earrings, bracelets, rings and pins, as well as ketohs, wampum, and labrets, made by one of the Indigenous peoples of the United States. Native American jewelry normally reflects the cultural diversity ...
This practice of combining African slave men and Native American women was especially common in South Carolina. [38] Native American women were cheaper to buy than Native American men or Africans. Moreover, it was more efficient to have native women because they were skilled laborers, the primary agriculturalists in their communities. [38]
Slave bracelets are a piece of jewelry associated with several cultures. The term refers to the hand adornment often worn by belly dancers or associated with harem jewelry. The slave bracelet or hand chain consists of a bracelet that attaches to a ring via a chain, bejeweled links, or other ornate hand connector along the back of the hand.
Effie Calavaza was born in 1927 in Zuni, New Mexico as Effie Lankeseon, [4] [5] where she lived her entire life. [6] She married Juan Calavaza (1910–1970), also a jewelry artist, who taught her the art.
The beads were integrated in Native American jewelry using various beadwork techniques. Trade beads were also used by early Europeans to purchase African resources, [2] including slaves in the African slave trade. Aggry beads are a particular type of decorated glass bead from Ghana. The practice continued until the early twentieth century.
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