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On a purely emotional level, this movie forces viewers to come to terms with their feelings about death, love, community, spirituality, and self-repair. Thanks to a stirring and remarkable performance by Ellen Burstyn, Resurrection lingers in the mind and heart long after the closing credits.
In the process, however, they all reopen old emotional wounds that had never properly healed. Travis and Chrissa have a daughter together, Bree. Bree wishes to follow in her mother's footsteps of dancing and even takes any opportunity to steal her mother's Pointe shoes and dance around the house in them, much to her mother's chagrin.
Timmy Cleary returns home from his service during World War II. While he seems to vindicate himself in his father's eyes for surviving the war, his drinking and cursing disturb his mother. Though his parents, John and Nettie, seem to be happy, the peace proves to be a facade. Soon old emotional wounds and unresolved marital problems resurface.
The Good Half is a 2023 American drama film directed by Robert Schwartzman and written by Brett Ryland. It stars Nick Jonas, Brittany Snow, David Arquette, Alexandra Shipp, Matt Walsh, and Elisabeth Shue.
"Healing Old Wounds" 2004 Like Family: Dave "Brother's Keeper" 2004 Joan of Arcadia: Duncan "The Cat", "Back to the Garden" 2004 NCIS: Cmdr. Reynolds "Lt. Jane Doe"
At the San Diego Naval Medical Center, the eight-week moral injury/moral repair program begins with time devoted simply to allowing patients to feel comfortable and safe in a small group. Eventually, each is asked to relate his or her story, often a raw, emotional experience for those reluctant to acknowledge the source of their pain.
Three months after the most divisive election in modern U.S. politics fractured families and upended relationships, a number of Americans say the emotional wounds are as raw as ever and show few ...
It was listed among the top movies of 2023 at Eko International Film Festival (EKOIFF) held in Lagos, Nigeria, and received the award for Best Feature Film. [11] [12] Joseph Jonathan of Afrocritik stated: "With its serious tone, the film artfully portrays how the wounds inflicted in the past can influence future relationships. Nganù’s ...