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Castiglione is seated against an earth-toned background and wears a dark doublet with a trim of squirrel fur and black ribbon; on his head is a turban topped by a notched beret. [4] The attire indicates that this was painted during the winter, likely that of 1514–1515, when Castiglione was in Rome by appointment of Guidobaldo da Montefeltro ...
During the Second World War the painting was stolen by the Nazis from Poland. Many historians regard it as the most important painting missing since World War II. [1] [2] The portrait is in oil on panel, probably from 1513 to 1514, and is by the Italian High Renaissance painter and architect Raffaello Sanzio da Urbino better known simply as ...
The painting depicts two women, one black and one white, sitting next to each other covered in beauty patches. The painting is unusual for the time in its depiction of the sitters as equals. [2] [3] The women are presented as companions with similar dress, makeup, hair, and jewelry. The work was created circa 1650 and subverts traditional ...
The painting is covered with a thick layer of yellowed varnish Self-portrait with Plumed Beret: 1629: Oil on panel: 89.7 x 73.5: Isabella Stewart Gardner Museum, Boston: 29: Self-portrait with a Gorget: c. 1629: Oil on panel: 38.2 x 31: Germanisches Nationalmuseum, Nuremberg: 30: The painting is covered by a layer of yellowed varnish and shows ...
Despite being long gone, the Renaissance is a period many people view with great admiration. After all, it was a time that presented society with some of the best works in literature, philosophy ...
Salome, or possibly Judith with the Head of Holofernes, is an oil painting which is an early work by the Venetian painter of the late Renaissance, Titian. It is usually thought to represent Salome with the head of John the Baptist .
Renaissance art largely excluded Black people, even as it emerged during the early phases of the transatlantic slave trade which ultimately brought 10.7 million African men, women and children to ...
The Self-Portrait with a Friend (also known as Double Portrait and as Raphael and His Fencing Master [1]) is a painting by Italian High Renaissance painter Raphael. It dates to 1518–1520, [2] and is in the Louvre Museum of Paris, France.
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