Search results
Results from the WOW.Com Content Network
The depicted version of Rubin's vase can be seen as the black profiles of two people looking towards each other or as a white vase, but not both. Another example of a bistable figure Rubin included in his Danish-language, two-volume book was the Maltese cross. A 3D model of a Rubin vase
The majority of monochrome photographs produced today are black-and-white, either from a gelatin silver process, or as digital photography. Other hues besides grey can be used to create monochrome photography, [ 1 ] but brown and sepia tones are the result of older processes like the albumen print , and cyan tones are the product of cyanotype ...
Rubin's vase utilizes the concept of Negative space to create ambiguous images: the vase or two opposing faces. Ambiguous images or reversible figures are visual forms that create ambiguity by exploiting graphical similarities and other properties of visual system interpretation between two or more distinct image forms.
The picture juxtaposes the similarities between the soft oval white face of the model, as if she were a living mask, with the shiny black mask, also with eyes closed and a serene expression. [4] It also expresses the artist's interest in African art, which had a huge influence in the artistic movements of the first decades of the 20th century.
Specific black-and-white photographs. It should not contain the images (files) themselves, nor should it contain free- or fair-use images which do not have associated articles. See also Category:Color photographs
A traditional silhouette portrait of the late 18th century. A silhouette (English: / ˌ s ɪ l u ˈ ɛ t /, [1] French:) is the image of a person, animal, object or scene represented as a solid shape of a single colour, usually black, with its edges matching the outline of the subject.
Encyclopedia of photography: With a new picture portfolio. New York: Arno Press, p. 132-134. Lavédrine, B. (2009). Photographs of the past: Process and preservation. Los Angeles: Getty Conservation Institute. Miki, Tamon. (1997). Concerning the arrival of photography in Japan. The advent of photography in Japan. Tokyo: Tokyo Metropolitan ...
Since the late 1960s, few mainstream films have been shot in black-and-white. The reasons are frequently commercial, as it is difficult to sell a film for television broadcasting if the film is not in color. 1961 was the last year in which the majority of Hollywood films were released in black and white.