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In March 2022, a modified version of an Edelweiss piano that was modified to play itself using a solenoid was featured on Mark Rober's YouTube channel, where he also used it to attempt to play "Rush E" by Sheet Music Boss, which is well known as a song that is genuinely impossible to play by one person.
Early sonata for violin and piano; Sonata No. 1 for violin and piano, 1921; Sonata No. 2 for violin and piano, 1922; Sonata for solo violin, 1944; Arnold Bax. Violin Sonata in G minor (1901) (recently recorded on ASV but a rarity) Sonata No. 1 in E major, first version 1920/1, revised 1945 (, ) Sonata No. 2 in D major, 1915/1921 ()
The 9:37 song, the fourth and final track of the album, was Rush's first entirely instrumental piece. The multi-part piece was inspired by a dream guitarist Alex Lifeson had, and the music in these sections correspond to the occurrences in his dream. The opening segment was played on a nylon-string classical guitar.
Grace Under Pressure: 1984 In memory of Robbie Whelan (a friend of the band) who died in a car accident near the studio where the band recorded the album. "Red Sector A" Grace Under Pressure: 1984 Addresses imprisonment in Nazi concentration camps. "The Enemy Within" Grace Under Pressure: 1984 Fear: Part I "The Body Electric" Grace Under ...
Sinfonia Concertante, for violin and piano (1982) Giovanni Bottesini. Gran duo Concertante, for violin and double-bass; Ludwig van Beethoven. Triple Concerto in C major, Op. 56, for piano, violin, and cello (1804–5) Johannes Brahms. Double Concerto in A minor, Op. 102, for violin and cello; Peter Maxwell Davies
IMSLP logo (2007–2015) The blue letter featured in Petrucci Music Library logo, used in 2007–2015, was based on the first printed book of music, the Harmonice Musices Odhecaton, published by Ottaviano Petrucci in 1501. [5] From 2007 to 2015, the IMSLP / Petrucci Music Library used a logo based on a score.
The surviving autograph manuscript of the sonatas and partitas was made by Bach in 1720 in Köthen, where he was Kapellmeister.As Christoph Wolff comments, the paucity of sources for instrumental compositions prior to Bach's period in Leipzig makes it difficult to establish a precise chronology; nevertheless, a copy made by the Weimar organist Johann Gottfried Walther in 1714 of the Fugue in G ...
Grand Trio for piano, violin and cello Op.43; Grand Trio for piano, violin and cello Op.48; Trio pour piano, violon, et basse, Op. 70; Franz Berwald. Piano Trio in C (1845) Piano Trio No. 1 in E flat (1849) Piano Trio No. 2 in F minor (1851) Piano Trio No. 3 in D minor (1851) Piano Trio No. 4 in C major (1853) Judith Bingham. Chapman's Pool ...
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