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Many artists have produced works which fit the definition of fantastic art. Some, such as Nicholas Roerich, worked almost exclusively in the genre, others such as Hieronymus Bosch, who has been described as the first "fantastic" artist in the Western tradition, [2] produced works both with and without fantastic elements, and for artists such as Francisco de Goya, fantastic works were only a ...
Psychic mystery by Margret Hofheinz-Döring. In psychology, fantasy is a broad range of mental experiences, mediated by the faculty of imagination in the human brain, and marked by an expression of certain desires through vivid mental imagery.
Even the most fantastic myths, legends and fairy tales differ from modern fantasy genre in three respects: Modern genre fantasy postulates a different reality, either a fantasy world separated from ours, or a hidden fantasy side of our own world. In addition, the rules, geography, history, etc. of this world tend to be defined, even if they are ...
Jackson rejects the notion of the fantastic genre as a simple vessel for wish fulfillment that transcends human reality in worlds presented as superior to our own, instead positing that the genre is inseparable from real life, particularly the social and cultural contexts within which each work of the fantastic is produced.
Historically, most works of fantasy were in written form, but since the 1960s, a growing segment of the genre has taken the form of fantasy films, fantasy television programs, graphic novels, video games, music and art. Many fantasy novels originally written for children and adolescents also attract an adult audience.
Many works within the genre take place in imaginary worlds where magic is common. Fantasy is generally distinguished from the genre of science fiction by the expectation that it steers clear of scientific themes and efforts to make depictions scientifically plausible, though there is a great deal of overlap between the two genres.
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The Journal of the Fantastic in the Arts (JFA), published regularly since 1990, is one of the four major academic journals that publish critical works concerning science fiction, featuring no fiction other than as reference. [45] The journal is interdisciplinary, publishing work on the fantastic in literature, art, drama, film, and popular media.