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Ethnomusicology (from Greek ἔθνος ethnos ‘nation’ and μουσική mousike ‘music’) is the multidisciplinary study of music in its cultural context, investigating social, cognitive, biological, comparative, and other dimensions involved other than sound.
There he consolidated the use of the term "anthropology" coined by Magnus Hundt (1449-1519). During his time in Stade, he wrote the second volume of Psychologia Anthropologica (Hanau, 1596) in which he described the construction of the human body. In 1594, Casmann defined anthropology as "the doctrine of human nature.
Comparative musicology is known as the cross-cultural study of music. [9] Once referred to as "Musikologie", comparative musicology emerged in the late 19th century in response to the works of Komitas Keworkian (also known as Komitas Vardapet or Soghomon Soghomonian.) [10] A precedent to modern ethnomusicological studies, comparative musicology seeks to look at music throughout world cultures ...
Magnus Hundt's Antropologium de hominis dignitate, natura et proprietatibus, de elementis, partibus et membris humani corporis, published in Leipzig in 1501, serves to explain the body not only anatomically and physiologically, but philosophically and religiously too, stating that humans were created in the image of God and represent a microcosm of the world as God created it.
Marvin Harris, a historian of anthropology, begins The Rise of Anthropological Theory with the statement that anthropology is "the science of history". [10] He is not suggesting that history be renamed to anthropology, or that there is no distinction between history and prehistory, or that anthropology excludes current social practices, as the general meaning of history, which it has in ...
Musicology (from Greek μουσική mousikē 'music' and -λογια-logia, 'domain of study') is the scholarly study of music.Musicology research combines and intersects with many fields, including psychology, sociology, acoustics, neurology, natural sciences, formal sciences and computer science.
Thus, Stanley Diamond argued that when the term "cultural relativism" entered popular culture, popular culture co-opted anthropology in a way that voided the principle of any critical function: Relativism is the bad faith of the conqueror, who has become secure enough to become a tourist.
Pierre Bourdieu (French: [pjɛʁ buʁdjø]; 1 August 1930 – 23 January 2002) was a French sociologist and public intellectual. [4] [5] Bourdieu's contributions to the sociology of education, the theory of sociology, and sociology of aesthetics have achieved wide influence in several related academic fields (e.g. anthropology, media and cultural studies, education, popular culture, and the arts).