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Garrard, Mary D., Angouissola and the Problem of the Woman Artist, Renaissance Quarterly 24, 1994. Zwanger, Meryl, Women and Art in the Renaissance, in: Sister, Columbia University 1995/6. Judith Brown. Gender and Society in Renaissance Italy (Women And Men In History). 1998; Letizia Panizza, Women in Italian Renaissance Culture and Society.
The first full, factual account of Artemisia's life, The Image of the Female Hero in Italian Baroque Art, was published in 1989 by Mary Garrard, a feminist art historian. She then published a second, smaller book entitled Artemisia Gentileschi around 1622: The Shaping and Reshaping of an Artistic Identity in 2001 that explored the artist's work ...
List of Italian women artists. 2 languages ... This is a list of women artists who were born in Italy or whose ... (1524–1588), nun, early female Renaissance ...
Lavinia Fontana (24 August 1552–11 August 1614) was an Italian Mannerist painter active in Bologna and Rome.She is best known for her successful portraiture, but also worked in the genres of mythology and religious painting.
It includes Italian artists that can also be found in the parent category, or in diffusing subcategories of the parent. Pages in category "16th-century Italian women artists" The following 19 pages are in this category, out of 19 total.
Properzia de' Rossi (c. 1490 – 1530) was a female Italian Renaissance sculptor and one of only four women to receive a biography in Vasari's Lives of the Artists. [ 1 ] Biography
Women artists were not commonplace in the Renaissance and due to its physical nature, sculpture was an especially rare medium for female artists as it was deemed unsuitable for them to practice. [4] This made de' Rozzi so notable as, despite knowing this, she pursued the practice regardless and is now considered one of the first well-documented ...
Sister Plautilla Nelli (1524–1588) was a self-taught nun-artist and the first ever known female Renaissance painter of Florence. [1] She was a nun of the Dominican convent of St. Catherine of Siena located in Piazza San Marco, Florence, and was heavily influenced by the teachings of Savonarola and by the artwork of Fra Bartolomeo.
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