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Filigree (also less commonly spelled filagree, and formerly written filigrann or filigrene) [citation needed] is a form of intricate metalwork used in jewellery and other small forms of metalwork. In jewellery, it is usually of gold and silver , made with tiny beads or twisted threads, or both in combination, soldered together or to the surface ...
Roman guilloche around a scene with Diana the Huntress, late 2nd century AD, mosaic, Bardo National Museum, Tunis, Tunisia [1]. Guilloché (French:), or guilloche (/ ɡ ɪ ˈ l oʊ ʃ /), is a decorative technique in which a very precise, intricate and repetitive pattern is mechanically engraved into an underlying material via engine turning, which uses a machine of the same name.
Another related term is moresque, meaning "Moorish"; Randle Cotgrave's A Dictionarie of the French and English Tongues of 1611 defines this as: "a rude or anticke painting, or carving, wherin the feet and tayles of beasts, &c, are intermingled with, or made to resemble, a kind of wild leaves, &c." [29] and "arabesque", in its earliest use cited ...
In such a dialogue, Socrates questions his interlocutor about the nature or definition of a concept, e.g., virtue or courage. Socrates then, through elenctic testing, shows his interlocutor that his answer is unsatisfactory. After a number of such failed attempts, the interlocutor admits he is in aporia about the examined concept, concluding ...
The term "cosplay" is a Japanese blend word of the English terms costume and play. [1] The term was coined by Nobuyuki Takahashi [] of Studio Hard [3] after he attended the 1984 World Science Fiction Convention in Los Angeles [4] and saw costumed fans, which he later wrote about in an article for the Japanese magazine My Anime []. [3]
Modern beaded flowers, yellow made in the French beading technique and pink in the Victorian beading technique. Today, beadwork is commonly practiced by jewelers, hobbyists, and contemporary artists; artists known for using beadwork as a medium include Liza Lou, Ran Hwang, Hew Locke, Jeffery Gibson, and Joyce J. Scott.
Every intricate detail of these mandalas is fixed in the tradition and has specific symbolic meanings, often on more than one level. Whereas the above mandala represents the pure surroundings of a Buddha, this mandala represents the universe.
The sound wave, therefore, does not influence at all the shape of the vibrating body or the shape of the nodal patterns. The only thing that changes due to the vibration is the arrangement of the sand.