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A possible depiction of the Great Church of Antioch (to the right) next to the Imperial Palace, from the border of the late 5th century Megalopsychia hunt mosaic, found in Daphne, near Antioch. Domus Aurea (in English Golden House) or the Great Church in Antioch was the cathedral where the Patriarch of Antioch preached.
The earthquake caused severe damage to many of the buildings in Antioch, including Constantine the Great's great octagonal church Domus Aurea, built on an island in the Orontes River. Only houses built close to the mountain were said to have survived.
The Domus Aurea (Latin, "Golden House") was a vast landscaped complex built by the Emperor Nero largely on the Oppian Hill in the heart of ancient Rome after the great fire in 64 AD had destroyed a large part of the city. [1] It replaced and extended his Domus Transitoria that he had built as his first palace complex on the site. [2] [3]
Location of the Colossus (in red near the center) on a map of Rome. The Colossus of Nero (Colossus Neronis) was a 30-metre (98 ft) bronze statue that the Emperor Nero (37–68 AD) created in the vestibule of his Domus Aurea, the imperial villa complex which spanned a large area from the north side of the Palatine Hill, across the Velian ridge to the Esquiline Hill in Rome.
People from many different social spheres, including the emperor himself, are present to watch the burning, which takes place in front of the Domus Aurea. The motif is based on the descriptions by Suetonius and Tacitus. [1] Of note is that the signs attached to the feet of the condemned list their alleged crimes, and show the Alexamenos Graffito.
According to Nicholas Temple, Nero's octagonal domed room in his Domus Aurea was an early example of an imperial reception hall, the symbolism of which "signaled an elevation of the status of the emperor as living deity, which in the case of Nero related specifically to his incarnation as Helios and the Persian Mithra."
The council approved three creeds. [3] The “Second Creed of Antioch, often known both in the ancient and the modern world as the 'Dedication' Creed, was the Council's most important result.” [4] (RH, 285-6) Its “chief bête noire [the thing that it particularly dislikes] is Sabellianism, the denial of a distinction between the three within the Godhead.” [5] (RH, 287)
The exedra achieved particular popularity in ancient Roman architecture during the Roman Empire.In the 1st century AD, Nero's architects incorporated exedrae throughout the planning of his Domus Aurea, enriching the volumes of the party rooms, a part of what made Nero's palace so breathtakingly pretentious to traditional Romans, for no one had ever seen domes and exedrae in a dwelling before.