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He was proficient in the local Sinhala and Tamil Languages. He is known as the "Father of Catholic Literature in Sri Lanka" because of his tremendous literary output. He had written many books, prayers, hymns and translated many Latin hymns into local languages. Some of his hymns and prayers are in popular use even today among Sinhala and Tamil ...
Egodahage George Wilfred Alwis Samarakoon (13 January 1911 – 2 April 1962) known as Ananda Samarakoon was a Sri Lankan (Sinhalese) composer and musician. He composed the Sri Lankan national anthem "Namo Namo Matha" and is considered the father of artistic Sinhala music and founder of the modern Sri Lankan Sinhala Geeta Sahitya (Song Literature). [1]
The original hymn was written in 1860 by William Whiting, an Anglican churchman from Winchester, United Kingdom.Whiting grew up near the ocean on the coasts of England and at the age of thirty-five had felt his life spared by God when a violent storm nearly claimed the ship he was travelling on, instilling a belief in God's command over the rage and calm of the sea.
A schlager-style number, "Sailor" with its original German lyric, addresses a seafaring love object with an acceptance of his wanderlust: the English-language version inverts this sentiment turning the song into a plea for the sailor to return. The song is sometimes sung by male vocalists from the point of view of the sailor with the lyrics ...
Sri Lanka is known to have songs that date back to 1400 A.D. That are still performed today. Another traditional Sri Lankan folk style is called the Virindu. It involves an improvised poem sung to the beaten melody of a rabana. Traditional song contests were held in which two virindu singers would compete through spontaneous verse.
The first known performance of the song is from the New Year's Eve 1994–1995 concert in Saalfeld, Germany.In the Sehnsucht tour, during this song, Flake usually sat in a small inflatable boat and sailed over the crowd who waves and bring the boat back to the stage after a short tour.
Most native speakers of Sinhalese liberally use this suffix when they chat informally. As an alternative, Manussaya (Mānnusəyaa meaning person) is used on words that cannot be said via karaya. . However they also make great effort to avoid kārəyā when they speak in a formal venue. e.g.:
The term "sea shanty/chantey" has become a staple of popular usage, where it helps to disambiguate the work song genre from other meanings of the word "shanty". For example, the "ice fishing shanty," despite its reference to marine activity, is not related.