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Design history is the study of objects of design in their historical and stylistic contexts. [1] With a broad definition, the contexts of design history include the social, the cultural, the economic, the political, the technical and the aesthetic.
Culture theory is the branch of comparative anthropology and semiotics that seeks to define the heuristic concept of culture in operational and/or scientific terms.
Equally is the debate where architecture should be based on traditional topology and design styles i.e. classical and vernacular base architecture or if it should be an expression of its time. The same issues are indicated within the industrial design domain where it has been debated if retro design should be accepted or not as good design.
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Hofstede's cultural dimensions theory is a framework for cross-cultural psychology, developed by Geert Hofstede. It shows the effects of a society's culture on the values of its members, and how these values relate to behavior, using a structure derived from factor analysis. [1] Hofstede's cultural dimensions theory.
Vernacular architecture tends to be overlooked in traditional histories of design. It is not a stylistic description, much less one specific style, so it cannot be summarized in terms of easy-to-understand patterns, characteristics, materials, or elements. [6]
An early version of the map was published by Ronald Inglehart in 1997 with the dimensions named "Traditional vs. Secular-Rational Authority" and "Survival vs. Well-being". [14] Inglehart and Welzel revised this map in 2005 and named the dimensions "Traditional vs. Secular-Rational Values" and "Survival vs. Self-expression Values". [9]
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