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William Bruce Ellis Ranken (1881–1941) was an Edwardian aesthete. [1] ... The Drawing Room at Warbrook, 1934. Hall at Warbrook, 1933. Warbrook House, Hampshire.
A drawing room is a room in a house where visitors may be entertained, and an alternative name for a living room. The name is derived from the 16th-century terms withdrawing room and withdrawing chamber , which remained in use through the 17th century, and made their first written appearance in 1642. [ 1 ]
The drawing room resembles 18th-century interior design with lighter wood used for panelling and basic geometric lines. [2] [6] In the sitting room, a hidden, movable wooden wall reveals the two-story Edwardian ballroom, which features a multivaulted wooden ceiling and ornamental plasterwork. The wood that covers the ceiling was discovered ...
The plan shows a large entrance hall on the south side opening on to a dining saloon 56ft. by 35ft. (including corridor) from which access is gained to the reception rooms, bedrooms, billiard room, etc., and also to a tower 56ft. high. A special feature of the drawing room will be a large inglenook. The coachman's cottage, stables, loose boxes ...
Dante Gabriel Rossetti's drawing room at No. 16 Cheyne Walk, 1882, by Henry Treffry Dunn. Victorian decorative arts refers to the style of decorative arts during the Victorian era. Victorian design is widely viewed as having indulged in a grand excess of ornament.
The earliest known use of the noun drawing room is in the mid-1600s, with the earliest evidence of drawing room appearing in 1635, from a Victorian-era memoir titled Steward's Household Accounts.
Belfast City Hall, an example of Edwardian Baroque architecture or "Wrenaissance", in Northern Ireland. Edwardian architecture usually refers to a Neo-Baroque architectural style that was popular for public buildings in the British Empire during the Edwardian era (1901–1910). Architecture up to 1914 is commonly included in this style. [1]
The poem was set to music as a duet for tenor and baritone by the Irish composer Michael William Balfe, and became a staple of Victorian and Edwardian drawing rooms. Longfellow's acquaintance Franz Liszt composed an adaptation as a prelude to his longer Longfellow adaptation of The Golden Legend .