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The Nativity of Jesus has been a major subject of Christian art since the 4th century. The artistic depictions of the Nativity or birth of Jesus, celebrated at Christmas, are based on the narratives in the Bible, in the Gospels of Matthew and Luke, and further elaborated by written, oral and
The landscape varies, though scenes in the background of a Nativity very often show the shepherds on a steep hill, making visual sense of their placement above the main Nativity scene. The number of shepherds shown varies also, [ 18 ] though three is typical in the West; one or more dogs may be included, as in the Taddeo Gaddi (right, with red ...
Gerard David, Adoration of the Kings, National Gallery, London, circa 1515 Adoration of the Magi, Gentile da Fabriano, 1423. The Adoration of the Magi or Adoration of the Kings or Visitation of the Wise Men is the name traditionally given to the subject in the Nativity of Jesus in art in which the three Magi, represented as kings, especially in the West, having found Jesus by following a star ...
This category is for the Nativity of Jesus in art. See also other sub-categories of the parent, like Category:Adoration of the Magi in art and Category:Adoration of the Shepherds in art. Here, "art" means the visual arts, not music or drama.
The Camaldoli Nativity by Lippi, for Lucrezia Tornabuoni Medici's cell at Camaldoli, c. 1463. 130 x 140 cm (51.1 by 55.1 inches); now Uffizi Gallery. Because of this passage, an axe was an attribute of John the Baptist in art, though by this period it was rare in Western art. [17]
The life of Christ as a narrative cycle in Christian art comprises a number of different subjects showing events from the life of Jesus on Earth. They are distinguished from the many other subjects in art showing the eternal life of Christ, such as Christ in Majesty, and also many types of portrait or devotional subjects without a narrative ...
He sees in this painting the influence of the thought of Cardinal de Bérulle, founder of the society and the church of the Oratory, for which the painting was intended. The latter expresses in fact a very particular spirituality marked in particular by the light which miraculously emanates from the Child Jesus and illuminates the face of the ...
Gradually images of Jesus became acceptable to most Protestants in various contexts, especially in narrative contexts, as book illustrations and prints, and later in larger paintings. Protestant art continued the now-standard depiction of the physical appearance of Jesus.