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Embossing and debossing are the processes of creating either raised or recessed relief images and designs in paper and other materials. An embossed pattern is raised against the background, while a debossed pattern is sunken into the surface of the material but might protrude somewhat on the reverse side.
Thermography is also the name of a post print process that is achieved today using traditional printing methods coupled with thermography machines. Thermography machines consist of three sections with a through conveyor. The first section applies thermographic/embossing powder, made from plastic resins, to the substrate (normally paper).
The paper, after immersing in water for 4–5 weeks, is taken out and made into a pulp and dried. The dried paper is then converted to a powder. There is also a practice to mix the powdered paper with rice water to facilitate coagulation. [1] The pulp thus made is applied on molds made in wood or brass.
Embossing (manufacturing), commercial scale embossing of sheet metal; Image embossing, the process to create highlights or shadows that will replace light/dark boundaries of an image; Leather embossing; Paper embossing, the raising of paper and other non-metal products using specific tools to accomplish the task
Pouncing (Italian Spolvero) is an art technique used for transferring an image from one surface to another using a fine powder called pounce. It is similar to tracing, and is useful for creating copies of a sketch outline to produce finished works.
The designs are drawn on the surface, then akhbara or first stage of work is done, in this the floral design is filled, using brush and color. When it is dried, the floral design is embossed through brush by using a paste prepared by mixing pot clay powder, gum, jaggery and 'naushadar', on this embossed design a layer of yellow paint is applied ...
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Other terms often used for printed engravings are copper engraving, copper-plate engraving or line engraving. Steel engraving is the same technique, on steel or steel-faced plates, and was mostly used for banknotes, illustrations for books, magazines and reproductive prints, letterheads and similar uses from about 1790 to the early 20th century, when the technique became less popular, except ...
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