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Mycenaean stirrup jar from Ras Shamra Syria, 1400–1300 BC. An artifact [a] or artefact (British English) is a general term for an item made or given shape by humans, such as a tool or a work of art, especially an object of archaeological interest. [1]
Seni Gayung Fatani is a martial art, specifically a style of silat from Malaysia based on the art of war, the combination punch and kick striking, joint-locking and grappling techniques, and various type of melee weapon. [2] [3] In Malay, the word seni means art and gayung is a word for martial arts, synonymous with silat. [1]
Silat Melayu (Jawi: سيلت ملايو ), also known as Seni Persilatan Melayu [1] ('art of Malay Silat') or simply Silat, is a combative art of self-defence from the Malay world, that employs langkah ('steps') and jurus ('movements') to ward off or to strike assaults, either with or without weapons.
Seni is mainly known from the inscription on two doorjambs found at the Nubian fortress of Kumma, where his titles are listed including overseer of the double granary of Amun. [1] The inscription is not dated, but there was found a biographical inscription at Semna where there is reported that an official was promoted by Thutmosis I to a king's ...
Letters of this type include ca (چ) in acara (event) ( احارا ), nga (ڠ) in dengan (with) ( دعں ), pa (ڤ) in pada (to) ( فدا ), ga (ݢ) in pinggang (waist) ( ڡعكع ), and nya (ڽ) in denda-nya (the penalty) ( داٮداڽ ). However, a special feature of the Terengganu Stone is the use of the letter nya. It is exquisitely ...
Hans Hofmann, Pompeii, oil on canvas, 84.25” x 52.25", 1959. Hofmann's art is generally distinguished by its rigorous concern with pictorial structure and unity, development of spatial illusion through the “push and pull” of color, shape and placement, and use of bold, often primary color for expressive means. [4]
Kata originally were teaching and training methods by which successful combat techniques were preserved and passed on. Practicing kata allowed a company of persons to engage in a struggle using a systematic approach, rather by practicing in a repetitive manner the learner develops the ability to execute those techniques and movements in a natural, reflex-like manner.
Much later, Bagong founded the Bagong Kussudiardja Center for the Arts (Padepokan Seni Bagong Kussudiardja) on October 2, 1978. [4] In December 1984, Bagong embarked on a five-month trip to seven European countries. Together with 14 dancers, he held dance performances, seminars, workshops, batik exhibitions, and batik painting demonstrations.