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Then the medium close up is a shot that has the waist to the chest and up. The next closest shot is the close up which has the shoulders and up or maybe a little tighter on the head. Finally, there is the extreme close up shot which has one body part usually. This can be an eye, a hand or anything else. These shots can be used with any of the ...
Medium shots are divided into singles (a waist-high shot of one actor), group shots, over-the shoulders or two-shots (featuring two people). [6] A medium wide shot, or American shot, shows a bit more of the background but is still close enough for facial expressions to be seen, although these facial expressions would be better seen in a waist-high shot.
Medium Close Up ("MCU" on camera scripts): Halfway between a mid shot and a close-up. Usually covers the subject's head and shoulders. Close Up ("CU"): A certain feature, such as someone's head, takes up the whole frame. Extreme Close Up ("ECU" or "XCU"): The shot is so tight that only a detail of the subject, such as someone's eyes, can be ...
the medium-long shot, where the frame ends near the knees, the medium shot, where the frame stops either just above or just below the waist, the medium close-up, where more of the shoulder is visible than in the close-up, the close-up, where the shoulder line is visible, the extreme close-up, where the frame stops at the subject's chin and ...
Bridge shots are also used to avoid jump cuts when inserting a pick-up. Camera angle The point of view or viewing position adopted by the camera with respect to its subject. Most common types are High-angle shot (the camera is higher than its subject) Low-angle shot (the camera is lower than its subject) Close-up
After the master shot is taken, a medium shot from the same angle is photographed. The editor can cut back and forth between the two shots. The cut-in or cut-out helps to cover the edit when dialogue is edited out ("compressed"), can be used by the director or editor to choose the best performance by an actor, and can even serve as a form of ...
A camera's angle of view can be measured horizontally, vertically, or diagonally. In photography, angle of view (AOV) [1] describes the angular extent of a given scene that is imaged by a camera. It is used interchangeably with the more general term field of view.
The rule states that the camera should be kept on one side of an imaginary axis between two characters, so that the first character is always frame right of the second character. Moving the camera over the axis is called jumping the line or crossing the line; breaking the 180-degree rule by shooting on all sides is known as shooting in the round.
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