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  2. Dynamic range compression - Wikipedia

    en.wikipedia.org/wiki/Dynamic_range_compression

    There are two types of compression: downward and upward. Both types of compression reduce the dynamic range of an audio signal. [2] Downward compression reduces the volume of loud sounds above a certain threshold. The quiet sounds below the threshold remain unaffected. This is the most common type of compressor.

  3. Shorten (codec) - Wikipedia

    en.wikipedia.org/wiki/Shorten_(codec)

    Shorten (SHN) is a file format used for compressing audio data. It is a form of data compression of files and is used to losslessly compress CD-quality audio files (44.1 kHz 16-bit stereo PCM). Shorten is no longer developed and other lossless audio codecs such as FLAC, Monkey's Audio (APE), TTA, and WavPack (WV) have become more

  4. Audio leveler - Wikipedia

    en.wikipedia.org/wiki/Audio_leveler

    An audio leveler performs an audio process similar to compression, which is used to reduce the dynamic range of a signal, so that the quietest portion of the signal is loud enough to hear and the loudest portion is not too loud.

  5. Noise reduction - Wikipedia

    en.wikipedia.org/wiki/Noise_reduction

    Dynamic noise limiter (DNL) is an audio noise reduction system originally introduced by Philips in 1971 for use on cassette decks. [10] Its circuitry is also based on a single chip. [22] [23] It was further developed into dynamic noise reduction (DNR) by National Semiconductor to reduce noise levels on long-distance telephony. [24]

  6. Audio compression - Wikipedia

    en.wikipedia.org/wiki/Audio_compression

    Audio compression may refer to: Audio compression (data) , a type of lossy or lossless compression in which the amount of data in a recorded waveform is reduced to differing extents for transmission respectively with or without some loss of quality, used in CD and MP3 encoding, Internet radio, and the like

  7. Audio normalization - Wikipedia

    en.wikipedia.org/wiki/Audio_normalization

    Another type of normalization is based on a measure of loudness, wherein the gain is changed to bring the average loudness to a target level. This average may be approximate, such as a simple measurement of average power (e.g. RMS), or more accurate, such as a measure that addresses human perception e.g. that defined by EBU R128 and offered by ReplayGain, Sound Check and GoldWave.

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  9. Parallel compression - Wikipedia

    en.wikipedia.org/wiki/Parallel_compression

    Parallel compression, also known as New York compression, is a dynamic range compression technique used in sound recording and mixing.Parallel compression, a form of upward compression, is achieved by mixing an unprocessed 'dry', or lightly compressed signal with a heavily compressed version of the same signal.

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