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Further information: Ancient Greek vase painting. Greek pottery may be divided into four broad categories, given here with common types:[1] storage and transport vessels, including the amphora, pithos, pelike, hydria, stamnos, pyxis, mixing vessels, mainly for symposiaor male drinking parties, including the krater, dinos, and kyathos, jugs and ...
Pottery, due to its relative durability, comprises a large part of the archaeological record of ancient Greece, and since there is so much of it (over 100,000 painted vases are recorded in the Corpus vasorum antiquorum ), [ 1] it has exerted a disproportionately large influence on our understanding of Greek society.
Sōgetsu typically uses either a tall, narrow vase such as one made from a bamboo stem, or a flat, open dish called a "suiban" in which the flowers and branches are fixed in a hidden kenzan spiked. However, other forms are possible, including highly elaborate creations that fill an entire hall.
A vase ( / veɪs / or / vɑːz /) is an open container. It can be made from a number of materials, such as ceramics, glass, non- rusting metals, such as aluminium, brass, bronze, or stainless steel. Even wood has been used to make vases, either by using tree species that naturally resist rot, such as teak, or by applying a protective coating to ...
Ikebana. Shōka arrangement by the 40th headmaster Ikenobō Senjō, drawing from the Sōka Hyakki by the Shijō school, 1820. Ikebana flower arrangement in a tokonoma (alcove), in front of a kakemono (hanging scroll) Ikebana ( 生け花, 活け花, 'arranging flowers' or 'making flowers alive') is the Japanese art of flower arrangement.
Amphora is a Greco-Roman word developed in ancient Greek during the Bronze Age. The Romans acquired it during the Hellenization that occurred in the Roman Republic. Cato is the first known literary person to use it. The Romans turned the Greek form into a standard -a declension noun, amphora, pl. amphorae. [3]
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