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Metropolitan Museum of Art. Woodblock printing in Japan (木版画, mokuhanga) is a technique best known for its use in the ukiyo-e [1] artistic genre of single sheets, but it was also used for printing books in the same period. Invented in China during the Tang dynasty, woodblock printing was widely adopted in Japan during the Edo period (1603 ...
24.6 cm × 36.5 cm (9.7 in × 14.4 in) The Great Wave off Kanagawa (Japanese: 神奈川沖浪裏, Hepburn: Kanagawa-oki Nami Ura, lit. 'Under the Wave off Kanagawa')[a] is a woodblock print by Japanese ukiyo-e artist Hokusai, created in late 1831 during the Edo period of Japanese history. The print depicts three boats moving through a storm ...
The Hōeidō edition is properly titled Tōkaidō Gojūsan-tsugi no uchi (東海道五十三次之内). [8] Besides the fifty-three stations themselves, the series includes one print for the departure, Nihonbashi (the bridge of Japan), and a final one, the 55th print, Keishi, Kyoto, the imperial capital. No. Woodcut print. Station no. and ...
Woodblock printing. The intricate frontispiece of the Diamond Sutra from Tang dynasty China, the world's earliest printed text containing a date of production, AD 868 (British Library) Woodblock printing or block printing is a technique for printing text, images or patterns used widely throughout East Asia and originating in China in antiquity ...
List of ukiyo-e terms. This is a list of terms frequently encountered in the description of ukiyo-e (浮世絵) -style Japanese woodblock prints and paintings. For a list of print sizes, see below. Aizuri-e (藍摺絵); "blue picture". Aka-e (赤絵); "red picture". Aratame (改); "examined" character found in many censor seals.
Nishiki-e (錦絵, "brocade picture") is a type of Japanese multi-coloured woodblock printing; the technique is used primarily in ukiyo-e. It was invented in the 1760s, and perfected and popularized by the printmaker Suzuki Harunobu, who produced many nishiki-e prints between 1765 and his death five years later. Previously, most prints had been ...
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