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The Noh masks of the Konparu school are a set of 47 noh masks formerly owned by the famous Konparu family of noh actors and playwrights, now part of the collection of the Tokyo National Museum.
Noh (能, Nō, derived from the Sino-Japanese word for "skill" or "talent") is a major form of classical Japanese dance-drama that has been performed since the 14th century. . It is the oldest major theater art that is still regularly performed today.
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You are free: to share – to copy, distribute and transmit the work; to remix – to adapt the work; Under the following conditions: attribution – You must give appropriate credit, provide a link to the license, and indicate if changes were made.
The word hannya (般若) is a Japanese phonetic transcription of the Sanskrit word prajñā (प्रज्ञा), meaning 'wisdom'. [6] There are several hypotheses as to why the mask used in Noh, which represents a vengeful spirit expressing female jealousy and resentment, was named hannya. [7]
The Museum's seven Important Cultural Properties are Tempest by Sesson Shūkei, [4] Ki no Tomonori from the series Thirty-Six Poetry Immortals formerly in the Satake Collection, [5] calligraphic works by or attributed to Ki no Tsurayuki, [6] Seisetsu Shōchō, [7] and Shūhō Myōchō (宗峰妙超), [8] the poetry collection Sanuki no Nyūdō-Shū, [9] and Box for a Noh mask with plovers in ...
Bidou Yamaguchi (山口 毘堂, Yamaguchi Bidō), a master Noh mask carver in the Hōshō tradition, was born Yamaguchi Hiroki on February 28, 1970, in Fukuoka, Fukuoka, on the island of Kyūshū in Japan.
Kyōgen (狂言, "mad words" or "wild speech") is a form of traditional Japanese comic theater.It developed alongside Noh, was performed along with Noh as an intermission of sorts between Noh acts on the same stage, and retains close links to Noh in the modern day; therefore, it is sometimes designated Noh-kyōgen.