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Noh masks (能面 nō-men or 面 omote) are carved from blocks of Japanese cypress (檜 "hinoki"), and painted with natural pigments on a neutral base of glue and crushed seashell. There are approximately 450 different masks mostly based on sixty types, [ 23 ] : 14 all of which have distinctive names.
The hannya (般若) is a mask used in a traditional Japanese Noh theater, representing a jealous female demon. It is characterized by two sharp bull-like horns, metallic eyes, and a leering mouth. [1] In Noh plays, the type of mask changes according to the degree of jealousy, resentment, and anger of the female characters.
Though primarily performed for Buddhist ceremonies, it significantly influenced later Japanese mask theater, particularly Noh. Its techniques for mask-making, including the use of carved wood and painted features, established foundations for Noh mask craftsmanship. The practice of using masks to represent specific character types became a ...
The nō or noh mask evolved from the gigaku and bugaku and are acted entirely by men. The masks are worn throughout very long performances and are consequently very light. The nō mask is the supreme achievement of Japanese mask-making. Nō masks represent gods, men, women, madmen and devils, and each category has many sub-divisions.
Bidou has studied the Hōshō tradition by going to the Hōshō Noh Gakudo in Tokyo, a school and theater with its own archives of antique masks, some of which are about 500 years old. After having carefully studied a particular mask, Bidou chooses an appropriate block of Japanese cypress wood (hinoki), one that has cured for about a century ...
Performers wear various masks and play the roles of kami, onryō (vengeful spirits), and historical and legendary figures. The origin of Noh mai can be traced back to as far as the fourteenth century. [5] [6] Noh mai is a dance that is done to music that is made by flutes and small hand drums called tsuzumi. [7]
A 19th century carved nut, depicting the mask of Hyottoko. Hyottoko (火男) is a comical Japanese character, portrayed through the use of a mask. His mouth is puckered and skewed to one side. Some masks have different eye sizes between the left and right eyes. He is often wearing a scarf around his head (usually white with blue dots).
The Noh masks of the Konparu school are a set of 47 noh masks formerly owned by the famous Konparu family of noh actors and playwrights, now part of the collection of the Tokyo National Museum. These masks span five centuries, from the Muromachi to the Edo period (15th to 19th century), and are designated Important Cultural Properties.
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