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The Planets, Op. 32, is a seven-movement orchestral suite by the English composer Gustav Holst, written between 1914 and 1917. In the last movement the orchestra is joined by a wordless female chorus. Each movement of the suite is named after a planet of the Solar System and its supposed astrological character.
This is a discography of commercial recordings of The Planets, Op. 32, an orchestral suite by Gustav Holst, composed between 1914 and 1916, and first performed by the Queen's Hall Orchestra conducted by Adrian Boult on 29 September 1918. It includes the composer's own recordings made in 1922–1923 and 1926.
Geronimo's Cadillac, which eventually gave way to Manfred Mann's Plains Music, also includes a jazz piano solo. We're Going Wrong is a cover of the Cream song. Telegram to Monica was Denny Newman's third song written for the Earth Band (after Lies (Through the 80s) and Killer on the Loose ) but the only one sung by him.
The Brook Green Suite (1932), written for the orchestra of St Paul's School, was a late companion piece to the St Paul's Suite. [154] The Lyric Movement for viola and small orchestra (1933) was written for Lionel Tertis. Quiet and contemplative, and requiring little virtuosity from the soloist, the piece was slow to gain popularity among ...
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Masque; music for the play by Frances Ralph Gray Incidental music: 102: 27b: 1909: Stepney Children's Pageant: for orchestra: Incidental music: 102a: 27b: 1909: A Song of London: for unison chorus and piano: from the incidental music for Stepney Children's Pageant; words by G.K. Menzies Incidental music: 114: 1910: The Praise of King Olaf
Two planets are notably not included in The Planets: Earth and Pluto. Holst had not wanted to include the Earth in his suite because the suite was based on astrology, and Earth has no astrological significance. [57] Pluto was discovered in 1930, four years before Holst's death, and was hailed by astronomers as the ninth planet.
Gavotte from J.S. Bach's French Suite No. 5. A suite, in Western classical music, is an ordered set of instrumental or orchestral/concert band pieces. It originated in the late 14th century as a pairing of dance tunes; and grew in scope so that by the early 17th century it comprised up to five dances, sometimes with a prelude.
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