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The Double Concerto in A minor, Op. 102, by Johannes Brahms is a concerto for violin, cello and orchestra, composed in 1887 as his last work for orchestra. Origin of the work [ edit ]
Cello Concerto No. 4 in D major (spurious, written by Giovanni Battista Costanzi) Cello Concerto No. 5 in C major (spurious, written by David Popper) [1] Cello Concerto in G minor (doubtful, lost) Paul Hindemith. Cello Concerto in E-flat major, Op. 3 (1916) Kammermusik No. 3 for cello and 10 instruments, Op. 36/2 (1925) Cello Concerto in G (1940)
Op. 15 Piano Concerto No. 1 in D minor : piano, orchestra 1854–58 original version as Sonata for Two Pianos 1854 (Mvts 2 & 3 are Anh. 2a/2) (discarded), 2nd version as Symphony in D minor in 4 mvts (4th mvt never written) 1854–55 (Mvts 2 & 3 are Anh. 2a/2) (discarded), final version (Piano Concerto) in 3 mvts (only 1st mvt from previous versions, 2nd & 3rd mvts new) 1855–58;
Many of her most famous recordings were made on this instrument, including the Elgar Concerto with Barbirolli, the Robert Schumann Cello Concerto with Barenboim and the two Brahms cello sonatas. From 1969 to 1970 she (like Casals before her) played on a Francesco Goffriller cello, and in 1970 acquired a modern instrument from the Philadelphia ...
A double concerto (Italian: Doppio concerto; German: Doppelkonzert) is a concerto featuring two performers—as opposed to the usual single performer, in the solo role. The two performers' instruments may be of the same type, as in Bach's Double Violin Concerto, or different, as in Brahms's Concerto for Violin, Cello and Orchestra.
Cello Concerto No. 4 in D major, H. 7b/4 (1750s, spurious, now thought to be the work of Giovanni Battista Costanzi – see Petrucci Music Library) Cello Concerto No. 5 in C major, H. 7b/5 (1899, spurious, now thought to be the work of David Popper) Cello Concerto in G minor, H. 7b/g1 (c. 1773, doubtful, lost) Michael Haydn. Cello Concerto in B ...
Brahms' antiquarian interests, his studies of music from the Renaissance to the Classical periods, show in his work — he edited and helped publish a two-chorus motet by Mozart Venite Populi, he had a collection of sonatas by Scarlatti — and in his composition, his motets Op. 74, his interest in the fugue and the passacaglia (outside of organ music such as Josef Rheinberger's Sonata No. 8 ...
Robert Hausmann (13 August 1852 – 18 January 1909) was a notable 19th-century German cellist who premiered important works by Johannes Brahms (including the Double Concerto) and Max Bruch (including Kol Nidrei). He was the cellist for the Joachim Quartet and taught at the Berlin Königliche Hochschule für Müsik.
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