Search results
Results from the WOW.Com Content Network
A "Doubting Thomas" is a skeptic who refuses to believe without direct personal experience—a reference to the Gospel of John's depiction of the Apostle Thomas, who, in John's account, refused to believe the resurrected Jesus had appeared to the ten other apostles until he could see and feel Jesus' crucifixion wounds.
The Best of B.J. Thomas (1980) You Gave Me Love (When Nobody Gave Me a Prayer) is the twenty-first studio album and third gospel album by American singer B. J. Thomas , released in 1979.
One important Saint Thomas Christian song is the "Thoma Parvam", or "Song of Thomas". [10] The song contains a colophon claiming it was first written in 1601 by a certain Maliekel Thoma Ramban, though the manuscripts are of a much later date. The words give an account of Thomas the Apostle's purported evangelical work in India in the 1st ...
The strophe of "Sacris solemniis" that begins with the words Panis angelicus ("bread of angels") has often been set to music separately from the rest of the hymn. Most famously, in 1872 César Franck set this strophe for tenor voice, harp , cello , and organ , and incorporated it into his Messe à trois voix .
Thomas is martyred (background) by order of an Indian monarch (foreground). The Acts of Thomas connects Thomas the apostle's Indian ministry with two kings. [4] According to one of the legends in the Acts, Thomas was at first reluctant to accept this mission, but the Lord appeared to him in a night vision and said, “Fear not, Thomas.
The point of these examples, as used by Riley and Pagels, is to support the argument that the text of Thomas must have existed and have gained a following at the time of the writing of the Gospel of John, and that the importance of the Thomasine logia was great enough that the author of John felt the necessity of weaving them into their own ...
"I'll Be a Sunbeam" (also called "Jesus Wants Me for a Sunbeam") is a popular children's Christian hymn composed by Nellie Talbot; it is sung to music composed in 1900 by Edwin O. Excell. Due to its age, the hymn has entered the public domain in the United States .
[6] [7] Therefore, an argument could be made on syntactical grounds that Thomas's expression was an exclamation of astonishment spoken to Jesus but actually directed to God, and that John would have had to use the vocative case instead if Thomas's words were directed to Jesus. [8] However there are many objections to this.