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This allows it to be playable on a bugle or equivalently on a trumpet without moving the valves. The call is regularly heard performed in an arrangement for full military band by Captain A.C. Green (1888–1974), who was Director of the Royal Naval School of Music's Junior Wing on the Isle of Man .
Concerto for Trumpet and Orchestra 1996-10 Christoph von Dohnányi/Cleveland Orchestra – Michael Sachs, trumpet Composed in 1996 for Michael Sachs, first trumpet of the Cleveland Orchestra 1997 rev. 2002 Elegy for Cello and Orchestra Premiered by John Williams, piano, and John Waltz, cello. Later arranged for cello and orchestra
The Sheltons – The first band to professionally record the song. [4] Their arrangement of the song was recorded on Halo records "Heart Felt Gospel" [5] in the late 60s, has been covered by numerous groups since. 1968 – The Inspirations [6] [7] [8] 1969–79 – The Oak Ridge Boys [9] 1991 The Lesters [10]
One of his most memorable performances was in the film "All the Fine Young Cannibals" (1960) where he provided the music for Robert Wagner's trumpet-player character Chad Bixby. Rasey's other films included Taxi Driver , High Anxiety and Pennies From Heaven [ 2 ] He is known for his solo in composer Jerry Goldsmith 's Oscar -nominated score for ...
The tune Helmsley is usually attributed to Thomas Olivers, a Welsh Methodist preacher and hymn-writer. [5] Anecdotal stories about the tune's composition suggest Olivers heard the tune whistled in the street and derived his melody from that; the most likely source is an Irish concert song "Guardian angels, now protect me".
Since this still lacks scientific confirmation, rampant speculation continues about potential extra-terrestrial theories for these "trumpet noises." But don't count NASA as a UFO-doubter just yet.
"Up Above My Head" is a gospel song of traditional origin, first recorded in 1941 (as "Above My Head I Hear Music In The Air") by The Southern Sons, a vocal group formed by William Langford of the Golden Gate Quartet. [1] In the version that is now the best-known, it was recorded in 1947 by Sister Rosetta Tharpe and Marie Knight as a duo.
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