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Alexander "Sandy" Calder (/ ˈ k ɔː l d ər /; July 22, 1898 – November 11, 1976) was an American sculptor known both for his innovative mobiles (kinetic sculptures powered by motors or air currents) that embrace chance in their aesthetic, his static "stabiles", and his monumental public sculptures. [1]
Homage to Jerusalem plaque. When Alexander Calder visited Israel in 1975 with his wife, the Mayor of Jerusalem Teddy Kollek asked him to create a sculpture for Jerusalem. The chosen site for the sculpture was the northeastern slope of Mount Herzl. [1]
Jeune fille et sa suite (Young Woman and Her Suitors), 1970, Detroit Institute of Arts [3] The X and Its Tails, 1967, College of Creative Studies, Detroit [3]; Deux Disques (Two Discs), 1965, Frederik Meijer Gardens & Sculpture Park (Long-term loan from Smithsonian Institution), Grand Rapids
It measures 242 × 321 cm. [1] [2] [3] The canvas depicts Mary Magdalene and Jesus Christ in a life-size two-figure composition. The painting depicts the moment in the Gospel story when Mary Magdalene recognises the risen Christ. However, he stops her impulse by telling her, "Do not cling to me, for I have not yet ascended to the Father".
La Grande Vitesse, a public sculpture by American artist Alexander Calder, is located on the large concrete plaza surrounding City Hall and the Kent County Building in Grand Rapids, Michigan, United States. Popularly referred to as simply "the Calder", since its installation in 1969 it has come to be a symbol of Grand Rapids, and an abstraction ...
Spinal Column is a 1968 sculpture by Alexander Calder. [1] It was commissioned for the San Diego Museum of Art in 1968 and was displayed in the May S. Marcy Sculpture Garden before being installed outside the museum. [2] [3] The work measures 118 in. x 100 in. x 90 in. [4]
Calder’s wire sculptures of this period tended to be portraits, caricatures, and stylized representations of people and animals. While originally believing the medium of wire sculpture to be merely clever and amusing, as his work developed, he began to state that wire sculpture had an important place in the history of art and remarked on the ...
Stirling Calder's father, Alexander Milne Calder, designed the statue of William Penn atop the tower of City Hall at the southeast end, while, at the Philadelphia Museum of Art on the northwest end, the mobile Ghosts is by Alexander Calder, Stirling Calder's son.