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The formal, tailored linen lavalava styles of Tonga, Samoa, and Fiji originated with the Fijian noble Ratu Sir Lala Sukuna who introduced the buckled sulu to Fiji in 1920 following his military service and university education in Europe. Samoan family wearing lavalava.
This version of the sulu is believed to have been designed for formal wear by Ratu Sir Lala Sukuna. The casual or everyday unisex sulus are known as sulu-vaka-toga (meaning Tongan sulu). Together with women's church or formal ceremony dress, simple sulus with an elastic waist that extend to the ankles are known as sulu-i-ra.
Each different region, island, tribe, and culture in Indonesia has its own head-dress/head-gear worn traditionally by the particular people of the area. The peci or songkok is the national formal head-dress worn by men all over Indonesia, usually worn by government officials. Men's head-dress are usually made of traditional fabrics, while women ...
A taʻovala is an article of Tongan dress, a mat wrapped around the waist, worn by men and women, at all formal occasions, much like the tie for men in the Western culture. The ta'ovala is also commonly seen among the Fijian Lau Islands, and Wallis island, both regions once heavily influenced by Tongan hegemony and cultural diffusion.
Edith Bellot, in the national dress of Dominica, 1961. The Wob Dwiyet, also called the Wob or Gwan Wob, is the national dress of the countries of Dominica, [1] Saint Lucia, and French West Indies. A traditional four-piece costume. The Wob Dwyiet (or Wobe Dwiette), a grand robe worn by the earlier French settlers.
Kebaya kerancang are usually worn as the formal dress for the wedding party by the mothers of the bride and groom. The cut may be akin to kartini model with a sondai tip, tapering down at the front measuring 20 to 30 centimetres from the flat part of the hip, or it can be kebaya panjang nyak Betawi, which is a long kebaya with flat bottom edge ...
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