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To be a 'school' a group of poets must share a common style or a common ethos. A commonality of form is not in itself sufficient to define a school; for example, Edward Lear, George du Maurier and Ogden Nash do not form a school simply because they all wrote limericks. There are many different 'schools' of poetry.
An English-language modernist group founded in 1914 that poetry based on description rather than theme, and on the motto, "the natural object is always the adequate symbol" [94] Ezra Pound, H.D., Richard Aldington: Dada: Touted by its proponents as anti-art, the Dada avant-garde focused on going against artistic norms and conventions [95]
Typically, a volume entitled "Collected Poems" is a compilation by a poet or an editor of a poet's work that is often both published and previously unpublished, drawn over a set span of years of the poet's work, or the entire poet's life, that represents a more complete or definitive edition of the poet's work. [1]
Anatol Stern (1899–1968), Polish poet and art critic; Gerald Stern (1925–2022), US poet; Marinko Stevanović (born 1961), Bosnian poet; C. J. Stevens (1927–2021), US writer of poetry, fiction and biography; Wallace Stevens (1880–1955), US modernist poet; Robert Louis Stevenson (1850–1894), Scottish novelist, poet and travel writer
Ars Poetica: a poem that explains the 'art of poetry', or a meditation on poetry using the form and techniques of a poem. [1] Aubade: a love poem welcoming or lamenting the arrival of the dawn. Example: “The Sun Rising” by John Donne. [1] Deep image; Didactic; Dramatic monologue
A connoisseur (French traditional, pre-1835, spelling of connaisseur, from Middle-French connoistre, then connaître meaning 'to be acquainted with' or 'to know somebody/something') is a person who has a great deal of knowledge about the fine arts; who is a keen appreciator of cuisines, fine wines, and other gourmet products; or who is an expert judge in matters of taste.
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The poet Abraham Cowley, in whose biography Samuel Johnson first named and described Metaphysical poetry. The term Metaphysical poets was coined by the critic Samuel Johnson to describe a loose group of 17th-century English poets whose work was characterised by the inventive use of conceits, and by a greater emphasis on the spoken rather than lyrical quality of their verse.