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Compared to tape recorders, wire recording devices have a high media speed, made necessary because of the use of the solid metal medium. Standard postwar wire recorders use a nominal speed of 24 inches per second (610 mm/s), making a typical one-hour spool of wire 7,200 feet (approx. 2200 m) long.
Marvin Camras (January 1, 1916 – June 23, 1995) was an electrical engineer and inventor who was widely influential in the field of magnetic recording.. Camras built his first recording device, a wire recorder, in the 1930s for a cousin who was an aspiring opera singer named Willy.
A reel-to-reel tape recorder (Sony TC-630), typical of a 1970s audiophile device. Reel-to-reel audio tape recording, also called open-reel recording, is magnetic tape audio recording in which the recording tape is spooled between reels. To prepare for use, the supply reel (or feed reel) containing the tape is placed on a spindle or hub.
By the 1950s it was the leading manufacturer of wire recorders in the United States. [3] The wire recorder business was short-lived. In 1952 Webcor introduced its first magnetic tape recorder, and by 1955 magnetic tape recorders overtook wire ones. [4] In the 1960s the firm began to face strong competition from German and Japanese imports.
A reel-to-reel tape recorder from Akai, c. 1978. An audio tape recorder, also known as a tape deck, tape player or tape machine or simply a tape recorder, is a sound recording and reproduction device that records and plays back sounds usually using magnetic tape for storage.
Ludwig Blattner, also known as Louis Blattner, [2] was a pioneer of early magnetic sound recording, licensing a steel wire-based design from German inventor Dr. Kurt Stille, [citation needed] and enhancing it to use steel tape instead of wire, thereby creating an early form of tape recorder. This device was marketed as the Blattnerphone. [3]
By 1977, all of Crown's tape recorder products had been phased out. [2] In 1979, Crown introduced the PSA-2 & SA-2 power amplifiers with analog computer control of transistor performance to maximize output characteristics. [2] The FM-1 stereo radio tuner was praised at the Consumer Electronics Show. [2] In 1981, the FM-2 with digital tuning was ...
The Mitsubishi X-80 2-track 1/4 inch digital recorder from 1980 predated the ProDigi format and has many similarities, although it used an unusual 50.4 kHz sample rate, and is not directly compatible. However, Mitsubishi did build the capability to play back tapes created on an X-80 into the X-86 series machines. Only 200 X-80s were manufactured.
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