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The "Someone's in the Kitchen with Dinah" section, with its noticeably different melody, is actually an older song that has been absorbed by "I've Been Working on the Railroad". It was published as "Old Joe, or Somebody in the House with Dinah" in London in the 1830s or '40s, with music credited to J.H. Cave. [ 7 ] "Dinah" was a generic name ...
On 31 December 1976, she performed her hit song "Downtown" on BBC1's A Jubilee of Music, celebrating British popular music for Queen Elizabeth II's impending Silver Jubilee. She also hosted the television series The Sound of Petula (1972–74), and through the 1970s, made numerous guest appearances on variety, comedy, and game-show television ...
"Living in the Past" is a song by British progressive rock group Jethro Tull. It is one of the band's best-known songs, and it is notable for being written in the unusual 5 4 time signature. The use of quintuple meter is quickly noted from the beginning rhythmic bass pattern, though it can also be explained as a distinct 6 8 + 2 4 syncopated ...
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Roberta Joan "Joni" Mitchell CC (née Anderson; born November 7, 1943) is a Canadian-American singer-songwriter, multi-instrumentalist, and painter.As one of the most influential singer-songwriters to emerge from the 1960s folk music circuit, Mitchell became known for her personal lyrics and unconventional compositions which grew to incorporate elements of pop, jazz, and other genres. [1]
Williams was born in Omaha, Nebraska, [6] the son of Paul Hamilton Williams, an architectural engineer, and his wife, Bertha Mae (née Burnside), a homemaker. [1]One of his brothers was John J. Williams, a NASA rocket scientist, who participated in the Mercury and Apollo programs and was awarded the NASA Distinguished Service Medal, their highest honor, in 1969. [7]
The Adventures of William Tell – Gioachino Rossini, lyrics were added by Harold Purcell and were sung by David Whitfield. Adventure Time ("Island Song") – Ashley Eriksson; AEW Dynamite ("Jane") – Jefferson Starship; After Henry (Three Quarter Blues") – George Gershwin; Agatha Christie's Poirot – Christopher Gunning
Billboard called it a "dynamic, big-room funk-rocker" that recreates the old Memphis sound. [12] The Los Angeles Times was more critical and labeled the song as the album's "biggest failure", arguing that it was "a satire on ego and ambition that says nothing we haven't heard from lesser observers many times before".