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A floor plan with a modern vestibule shown in red. A vestibule (also anteroom, antechamber, or foyer) is a small room leading into a larger space [1] such as a lobby, entrance hall, or passage, for the purpose of waiting, withholding the larger space from view, reducing heat loss, providing storage space for outdoor clothing, etc.
Modern atria, as developed in the late 19th and 20th centuries, are often several stories high, with a glazed roof or large windows, and often located immediately beyond a building's main entrance doors (in the lobby). Atria are a popular design feature because they give their buildings a "feeling of space and light."
Lobby of a contemporary apartment building in Washington, D.C.. A lobby is a room in a building used for entry from the outside. [1] Sometimes referred to as a foyer, entryway, reception area or entrance hall, [2] it is often a large room or complex of rooms (in a theatre, opera house, concert hall, showroom, cinema, etc.) adjacent to the auditorium.
2024 has been an eclectic year for home design.Trends like whimsigoth filled our homes with lush patterns and textures—movements like Japandi pared that sensibility back in favor of lighter ...
Interior of the north lobby, with the stepped ramp in the background. The north lobby was designed as the entrance for journalists and members of the public. [31] [40] [47] Three balcony levels are cantilevered over the space. [48] The lobby measures 75 ft (23 m) high and is topped by a circular skylight measuring about 4 ft (1.2 m) across. [22]
The lobby is composed of three primary spaces: an entrance vestibule to the southeast, an S-shaped outer lobby, and an elevator lobby to the west. [19] [21] The entrance vestibule has strips of veined gray marble, running diagonally toward the room's corners. The floor is surrounded by a rectangular band of white-and-black marble.
[108] [109] Henry Hope Reed Jr. called the lobby "the finest interior in the city" [110] and described the structure as one of several places in New York City where "great art is to be found". [41] David Dunlap of The New York Times said in 1991 that the Great Hall was "one of New York's most magnificent—and least appreciated—public spaces ...
The redecoration of the State Floor rooms, including the Entrance Hall, was overseen by American antiques autodidact Henry Francis du Pont and French interior designer Stéphane Boudin. Du Pont wanted a more historic approach to the White House, while Boudin preferred a French design aesthetic. [ 13 ]
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