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William Morris' design for Trellis wallpaper, 1862. The Arts and Crafts movement was an international trend in the decorative and fine arts that developed earliest and most fully in the British Isles [1] and subsequently spread across the British Empire and to the rest of Europe and America.
The technique used by Morris for making wallpaper was described in some detail in Arts and Crafts Essays by Members of the Arts and Crafts Exhibition Society published in 1893. The chapter on wallpaper was written by Walter Crane. He describes how the wallpapers of Morris were made using pieces of paper thirty-feet long and twenty-one inches wide.
Mostly-Victorian.com - Arts, crafts and interior design articles from Victorian periodicals. "Victorian Furniture Styles". Furniture. Victoria and Albert Museum. Archived from the original on 19 November 2010; The history of wallcoverings and wallpaper; Interior design: Victorian - National Trust
Selection of content: Although Google Arts & Culture partners with more than a hundred museums, some critics believe it still may present a skewed representation of art and art history. An art critic Alastair Sooke , writing for The Daily Telegraph in 2011, points out omissions of notable works and museums from the collection.
The American Craftsman style was a 20th century American offshoot of the British Arts and Crafts movement, [1] which began as early as the 1860s. [2]A successor of other 19th century movements, such as the Gothic Revival and the Aesthetic Movement, [2] the British Arts and Crafts movement was a reaction against the deteriorating quality of goods during the Industrial Revolution, and the ...
Wallpapers can come plain as "lining paper" to help cover uneven surfaces and minor wall defects, "textured", plain with a regular repeating pattern design, or with a single non-repeating large design carried over a set of sheets. The smallest wallpaper rectangle that can be tiled to form the whole pattern is known as the pattern repeat.
Writers of the Decadent movement used the slogan "Art for Art's Sake" (L'art pour l'art), the origin of which is debated. Some claim that it was created by the philosopher Victor Cousin , although Angela Leighton notes that it was used by Benjamin Constant as early as 1804 in the work On Form: Poetry, Aestheticism and the Legacy of a Word (2007 ...
The collection includes stained glass, wallpaper, textiles, embroidery, drawings, ceramics, more than 2000 books, original woodblocks, and the complete archives of both Morris, Marshall, Faulkner & Co. and Morris & Co. [308] These materials formed the foundation for the 2002 exhibition William Morris: Creating the Useful and the Beautiful and ...