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The author is identified as "James, a servant of God and of the Lord Jesus Christ" (James 1:1). James (Jacob, Hebrew: יַעֲקֹב, romanized: Ya'aqov, Ancient Greek: Ιάκωβος, romanized: Iakobos) was an extremely common name in antiquity, and a number of early Christian figures are named James, including: James the son of Zebedee, James the Less, James the son of Alphaeus, and James ...
Christ I (also known as Christ A or (The) Advent Lyrics) is a fragmentary collection of Old English poems on the coming of the Lord, preserved in the Exeter Book.In its present state, the poem comprises 439 lines in twelve distinct sections.
Take heed that ye despise not one of these little ones; for I say unto you, That in heaven their angels do always behold the face of my Father which is in heaven. (Matthew 18:1–10) The word translated as converted in the King James Version [1] (Greek: στράφητε, straphēte) literally means 'turn'.
The Real Jesus Christ, documentary about Jesus from the perspective of James and the Jerusalem Church, Channel 4 "The martyrdom of James, the brother of the Lord" Quotes from lost writings of Hegesippus in Eusebius; Josephus, Antiquities of the Jews (Book 20, Chapter 9) Jerome, De Viris Illustribus Chapter 2. Singer, Isidore; et al., eds. (1901 ...
Christian minister Erwin Lutzer argues there is some support for this saying in the Bible (2 Thessalonians 3:10, James 4:8); however, much more often God helps those who cannot help themselves, which is what grace is about (the parable of the Pharisee and the Publican, Ephesians 2:4–5, Romans 4:4–5). [26]
The ending of The Temptation in Christ and Satan deviates from Biblical account. Actual scripture leaves the ending open with the sudden disappearance of Satan (Matthew 4:1-11), but Christ and Satan takes the more fictional and epic approach with a victory for Christ over Satan—adding to what scripture seems to have left to interpretation.
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[1] The author(s) of this poem is unknown. The poem was copied down in the Exeter Book in the latter half of the tenth century. Its original date of composition is unknown, though Leonard Neidorf has recently adduced lexical, metrical, and cultural reasons to believe that the poem was first composed in either the seventh or the eighth century. [2]