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It is a twelve-bar blues in 6 8; the chord sequence is that of a basic blues and made up entirely of seventh chords, with a ♭ VI in the turnaround instead of just the usual V chord. In the composition's original key of G this chord is an E ♭ 7. "All Blues" is an example of modal blues in G Mixolydian. [2] [clarification needed]
Blues for Alice" is a 1951 jazz standard, composed by Charlie Parker. [1] [2] The standard is noted for its rapid bebop blues-style chord voicings and complex harmonic scheme which is a fine example of what is known as "Bird Blues". [3] [4] It is written in the key of F major and usually begins with an F major seventh or F sixth chord.
The Blues for Alice changes, Bird changes, Bird Blues, or New York Blues changes, is a chord progression, often named after Charlie Parker ("Bird"), which is a variation of the twelve-bar blues. The progression uses a series of sequential ii–V or secondary ii–V progressions, and has been used in pieces such as Parker's " Blues for Alice ".
Seventh chords are a type of chord that includes the 7th scale degree (that is, the 7th note of the scale). There are different types of 7th chords such as major 7ths, dominant 7ths, minor 7ths, half diminished 7ths, and fully diminished 7ths. [8] These chords are similar with slight changes, but are all centered around the same key center.
The following is a list of commonly used chord progressions in music. Code Major: Major: Minor: ... Eight-bar blues: ... Two common tones, two note moves by half step ...
The first publication of blues sheet music was in 1908. Blues has since evolved from unaccompanied vocal music and oral traditions of slaves into a wide variety of styles and subgenres. Blues subgenres include country blues, Delta blues and Piedmont blues, as well as urban blues styles such as Chicago blues and West Coast blues. World War II ...
The move to the IV chord usually happens at bar 3 (as opposed to 5 in twelve bar); however, "the I chord moving to the V chord right away, in the second measure, is a characteristic of the eight-bar blues." [1] In the following examples each box represents a 'bar' of music (the specific time signature is not relevant).
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