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"Do It Again" features an electric sitar solo by Denny Dias. The "plastic organ" solo by Donald Fagen was performed on a Yamaha YC-30 with a sliding pitch-bending control. [6] The song is written in the key of G minor and has a tempo of 125 beats per minute. It follows a chord progression of Cm-Dm-E♭-Dm7-Gm-Cm-Dm-E♭-Dm.
After Steely Dan disbanded in 1981, Becker and Fagen worked sporadically on solo projects through the 1980s, although a cult following [8] remained devoted to the group's work. Since reuniting in 1993, Steely Dan has toured steadily and released two albums of new material, the first of which, Two Against Nature (2000), earned a Grammy Award for ...
"FM (No Static at All)" is a song by American jazz-rock band Steely Dan and the title theme for the 1978 film FM. It made the US Top 40 the year of its release as a single. A jazz-rock composition of bass, guitar and piano; its lyrics criticize the album-oriented rock format of many FM radio stations at that time, in contrast to the film's celebration of the medium.
In addition to his work with Steely Dan, Fagen has released four solo albums, beginning with The Nightfly in 1982, which was nominated for seven Grammys. In 2001, Fagen was inducted into the Rock and Roll Hall of Fame as a member of Steely Dan. Following Becker's death in 2017, Fagen continued to tour alone under the Steely Dan name.
Elliott Randall (born June 15, 1947) is an American guitarist, best known for being a session musician and performing with popular music artists. Randall played the well-known guitar solos on Steely Dan's song "Reelin' in the Years" and Irene Cara's song "Fame".
Countdown to Ecstasy was the only Steely Dan album written and arranged for a live band. Bop-style jazz soloing is set in the context of a pop song on "Bodhisattva". [12] "The Boston Rag" develops from a jazzy song to unrefined playing by the band, including a distorted guitar solo by Jeff "Skunk" Baxter.
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Denny Dias has a guitar solo that was written by Becker and Jeff Baxter. [5] Part of Dias' repeating guitar line required vibrato, but since Dias does not use vibrato in his playing he handed the guitar to Baxter to play the last five notes where vibrato was needed. [1] [5] Mason describes the music as "simple and utterly lovely." [3]