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The Indian harmonium is derived from reed organ designs developed in France. Originally, these were large instruments, designed to be played sitting on a chair, which allowed one to pump the instrument using foot pedals. [4] Over time, Europeans designed smaller harmoniums, like the guide-chant, which included manually pumped bellows. [5]
The harmonium was considered by Curt Sachs to be an important instrument for music of Romanticism (1750s–1900), which "vibrated between two poles of expression" and "required the overwhelming power and strong accents of wind instruments". [2] Harmonium compositions are available by European and American composers of classical music.
The Harmonium replaced the Sarangi in the early 20th century and went through tough times as it first was banned as accompanying instrument by All India Radio (A.I.R). Hindustani classical music exponents such as Walawalkar (and many others) established the Harmonium as solo instrument in Indian Classical music. [3] [10]
The glass harmonica, also known as the glass armonica, glass harmonium, bowl organ, hydrocrystalophone, or simply the armonica or harmonica (derived from ἁρμονία, harmonia, the Greek word for harmony), [1] [2] is a type of musical instrument that uses a series of glass bowls or goblets graduated in size to produce musical tones by means ...
Harmonica players who amplify their instrument with microphones and tube amplifiers, such as blues harp players, also have a range of techniques that exploit properties of the microphone and the amplifier, such as changing the way the hands are cupped around the instrument and the microphone or rhythmically breathing or chanting into the ...
Musical instruments of the Indian subcontinent can be broadly classified according to the Hornbostel–Sachs system into four categories: chordophones (string instruments), aerophones (wind instruments), membranophones (drums) and idiophones (non-drum percussion instruments).
A mouth organ is any free reed aerophone with one or more air chambers fitted with a free reed. [1] Though it spans many traditions, it is played universally the same way by the musician placing their lips over a chamber or holes in the instrument, and blowing or sucking air to create a sound. [2]
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