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The original broadcast of Men Don't Tell was seen in 18.3 million homes, ranking third among the week's prime time broadcast, behind ABC's Home Improvement and CBS's 60 Minutes. [3] After the original airing, the film was never rebroadcast on over-the-air television, reportedly because it incurred the wrath of several women's groups.
The Smurfette principle is the practice in media, such as film and television, to include only one woman in an otherwise entirely male ensemble. [1] [2] It establishes a male-dominated narrative, where the woman is the exception and exists only in reference to the men.
TV Tropes is a wiki that collects and documents descriptions and examples of plot conventions and devices, which it refers to as tropes, within many creative works. [7] Since its establishment in 2004, the site has shifted focus from covering various tropes to those in general media, toys, writings, and their associated fandoms, as well as some non-media subjects such as history, geography ...
Such films, according to Smith, were more often created by men because "women's movie ideas" were mostly about relationships and "aren't commercial enough for Hollywood studios". [48] He considered the Bechdel test just as meaningless as a test asking whether a film contained cowboys. [48] Smith's article provoked vigorous criticism. [49]
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I, a Man is a 1967 American erotic drama film written, directed and filmed by Andy Warhol.It debuted at the Hudson Theatre in New York City on August 25, 1967. [1] The film depicts the main character, played by Tom Baker, in a series of sexual encounters with eight women. [1]
Boy, Did I Get a Wrong Number! is a 1966 DeLuxe Color American comedy film starring Bob Hope and Elke Sommer. This film marked the first of three film collaborations for Hope and comedian Phyllis Diller, and was followed by Eight on the Lam in 1967 and The Private Navy of Sgt. O'Farrell in 1968.
A trope is an element of film semiotics and connects between denotation and connotation.Films reproduce tropes of other arts and also make tropes of their own. [6] George Bluestone wrote in Novels Into Film that in producing adaptations, film tropes are "enormously limited" compared to literary tropes.